Choking or Charming? The History of Ties and How to Tie One

 

Ties. They can look flashy, fashionable and snappy, or they can bring back visions of boardrooms, the office, school or military dress-uniforms. They can be stylish and colourful, or they can be choking and restrictive, or possibly inducive of autoerotic asphyxiation…which might not be a bad thing. But I digress; fewer articles of clothing are more polarising to men other than whether you would, do, would not, or do not, choose to wear a tie.

Some people wear ties on a regular basis as part of a uniform. Some men wear ties because they’re part of their personal style or ‘look’. Personally, I’m in the camp of the latter. I started regularly wearing ties again about two years ago, and I’m still wearing them regularly today. In fact, I’m wearing one right now as I type this.

But how long have men been putting things around their necks? Where did they come from? Why on earth would someone do this?

The History of Neckwear

People have been putting on neckcloths for centuries. The modern necktie and its cousin, the bowtie, the two most common neck-coverings today, were descendants of one of the most common neck-coverings of the 17th century – the Cravat.

The cravat, a wide, scarf-like neck-cloth tied loosely around the throat, was the neck-covering of choice from the 1600s up to the 1800s. Some people who want a more loose and loungey, casual look in their neckwear still wear cravats, and their cousins, the neckerchieves, today. The word ‘cravat’ came from the French  ‘cravate’, which was a corruption of the word ‘Croat’, from the country of…Croatia, where the cravat was born in the 1630s.

The original purpose of these neck-coverings and cloths (be they cravats, kerchiefs or ties), was actually to hold the shirtfront shut, and to stop wind and cold air from blowing down into your clothes and onto your chest…it was a comfort thing.

The Birth of the Tie

By the mid-1800s, the cravat, a staple of men’s wardrobes for the past two centuries, was beginning to get a bit raggedy around the edges. As with a lot of other elements of men’s clothing at the time, people started wanting simpler, better-fitting, less flamboyant clothing. The cravat was being seen as a relic of the Regency era of the 1810s and it was quickly becoming sooo last century.

So the modern necktie was born. While the cravat and the neckerchief never really went away, by the last quarter of the 1800s, they were beginning to do serious battle with the new kid on the block – the necktie.

The necktie was popular for a number of reasons.

– The cravat is generally tied loosely and floppily around the throat. This was fine…so long as you didn’t have to keep tightening it up all the time. In the increasingly mechanised world of the late 1800s, the loose, wavy cravat was a liability. If it unluckily unravelled over a piece of whirring machinery, it could strangle the wearer to death! The necktie was done up so that it provided a tighter, safer knot.

– The necktie was simpler and didn’t take up so much real-estate. Cravats are like icebergs – three quarters of the cloth is stuffed down your shirtfront. And cravats are big, bulky things – that leads to a lot of excess material. Neckties were slim and simple, without wasted fabric.

– The necktie was easier to put on. A cravat had a lot of fabric and tying one could be frustrating. A necktie was thinner and had less to fuss around with, making it faster and more convenient to tie.

Tie Knots

There’s a multitude of tie-knots out there. According to author Thomas Fink, who did a study of the necktie, there are no fewer than 85 ways to tie a necktie. Screw that! I’m only going to talk about two knots.

Not all shirts are the same and not all collars are the same. So you should always know at least two tie-knots. One of the most common knots is the Four-in-Hand.

Four-in-Hand Knot

The four-in-hand knot is probably the simplest knot ever. Supposedly, it was named after coachmen, who would tie up the reins of their carriage-horses in a similar way, to stop them from tangling up during long drives. If you’ve never tied a tie and you really need to know how, this is the fastest way:

1. The tie’s draped around the popped-up collar and over your shoulders, with the right side longer than the left (and with the wider side on the right).

2. The right side of the tie is crossed over the front of the left and then pulled behind it to the right.

3. Then the right side of the tie is crossed over the left side again.

4. Then, it’s pulled up through the gap below your neck.

5. Using your fingers, wriggle a hole through the last of the two loops that you made around the skinnier portion of the tie.

6. Stuff the wide end of the tie down through that new hole you wiggled open with your fingers. Pull it down so that it’s nice and tight.

7. Close the gap below your neck by pulling on the short end of the tie to draw the knot up.

Note: As this is the knot that generally uses the least amount of material, you might end up with a tie that hangs down too low. If it does, untie and do it again. Simply repeat step 3 two or three more times. This uses up the extra fabric so that you don’t have so much left over when the knot’s done up.

The four-in-hand knot is best used with shirts with spearpoint collars, that leave only a small space between the ends of the collar. This is because the knot that results from tying a tie in this fasion is rather long and skinny (unless you wrapped the tie around the knot a few more times to use up the extra fabric like I mentioned up above).

The Windsor Knots

The knots which are collectively called the Windsor knots, go by many names. But the general style was named after the dapper Duke of Windsor (who caused a scandal in 1936 when he abdicated the British throne). However, the knot itself was actually invented by his father (King George V), who had a reputation of being a strict dresscode adherent.

Windsor knots are also called Full Windsors, Double Windsors and Half-Windsors.

What the hell is the difference?

Full Windsor and Double Windsor are the same thing.

Half-Windsor is…a…half-Windsor.

So how do you tie one?

The Windsor-knot is famous, not only because of its royal connections, but because it’s a fat, chunky knot with a lot of symmetry. Here’s how you do one up.

1. Drape your tie over your shoulders and around your popped-up collar. Longer, wider side on the right, skinnier and shorter side on your left.

2. Cross the long side over the short side (left).

3. Loop the long side behind, and then up, through the gap below your neck, and outwards. Then, pull down. The front of the wider end of the tie should now be hanging down, on your left-hand side.

4. Cross the wide side of the tie back behind the knot again, but this time, pull it right across to the right side of your body.

5. Pull it up and stick it through the gap below your neck, keeping to the right side, this time. Pull it down. This is similar to step 3, only in reverse and on the other side of the knot. In this case, the BACK side of the wide end of the tie should be facing outwards.

6. Draw the wide end of the tie across the front of the knot to the left, and then poke it through the gap below your neck from behind, again (as in step 3).

7. Toss the wide end of the tie back over your left shoulder. Stick your finger down the front of the knot to make a hole there. Stuff the rest of the wide end of your tie down that hole and pull tight.

8. Pull the shorter, back end of the tie down to close the knot.

If you’ve done it right, then you should have a fat, triangular knot. Also, there should be a little dimple in your tie just below the knot – a distinctive trademark of a Windsor knot.

Alright. You’ve just done a Full or Double Windsor knot. Again, as with the four-in-hand knot, if you’ve left with too much fabric, undo the tie, readjust and tie again, but repeating steps 3 and 5 one or two more times to use up the extra fabric to make the finished length more correct.

So how do you do a Half-Windsor knot?

Easy. Just do half the steps. That’s why it’s called a Half-Windsor!

Do steps 1-3. Then instead of doing step 4 (bringing the tie around the back of the knot to the front to the right and stuffing it down the neck-gap again), simply bring it around the back, all the way around the front and to the back again (in a loop), then do steps 3, 7 and 8. Done.

The Four-in-Hand, the Full/Double and Half-Windsor knots are the most commonly-used tie-knots. The Windsor knots, because of their chunkier results, are best tied on shirts with spread collars, where a knot that takes up a lot of shirt real-estate is preferrable.

The Bowtie

Like the necktie, the bowtie is descendant from the granddaddy of all neck-cloths, the cravat. Okay. I won’t go into all that again.

Doing up a necktie is easy. Most boys learn how to do one up for school uniforms and the like. But a bowtie can be daunting and scary and intimidating!

It isn’t.

Bowties carry certain connotations – You’re a professor, banker, teacher, doctor, Hercule Poirot, or if you wear thick-rimmed glasses, have buck-teeth and wear a shortsleeved shirt – a nerd. But bowties can also carry a connotation of skill…mostly because they’re perceived as being impossible to tie.


Agatha Christie’s dandy Belgian detective, Hercule Poirot (portrayed by David Suchet), with his trademark bowtie

They’re not.

And this is how you do it.

I’ll be honest. There are a bazillion video-tutorials on YouTube that show you how to do up a bowtie. And you could disregard everything here that’s to come, and just go and watch one of those. But one reason why there’s so many of those videos is because they all show you how to tie a bowtie…but they don’t tell you. “You do this, then this, then this, then this, then this…voila!”

Yeah. Slow down. The video’s over in two minutes and you’re standing there with a piece of crap tied around your neck and your big fancy Black-Tie dinner is in half an hour. You’re screwed.

Tying a bowtie is easy – I got it after just three attempts. If a doofus like me can do it, anyone can. Here’s how:

1. Pop up your collar.

2. Adjust the length of your tie. Quality bowties have a cinch or an adjuster on them. Use this to get the length of the tie right.

How long does the tie have to be? Well, if it’s draped over your chest and around your neck, the left end of the tie should be at your nipple or at the top of your sternum. The right end should be about an inch or so longer than that. Adjust the tie’s length so that this is achieved (the short end of the tie is always on the left, the long side is on the right). Go ahead. I’ll wait…

3. Okay, done that? Now, to tie stuff up. Cross the long end of the tie over the short end (to the left). Stick the long end up behind the knot and pull up, firmly. The long end of the tie is now on your left shoulder and it should’ve looped around there from behind the left part of the tie. Yes? Good. Leave it there.

4. The other half of the tie is now pointing straight down. It should be shaped like a fish, with the tail pointing down and the head pointing up. Fold the tie in half across the middle of the head. Then twist this part of the tie to the left. You should have a nice, bowtie-looking shape under your chin if you’re looking in the mirror.

5. Keeping this position, flop the other part of the tie (on your shoulder) down over the middle of this bowtie shape.

6. Pinch the head and tail of the fishy bow which you created in step 4, together, and pull outwards. You’ll now have two holes. One between your neck and the tie itself, and one smaller one in front of that, just big enough for your finger to poke through.

7. The long half of your bowtie is now hanging down just like the other half was, with the fishtail pointing down and the head pointing up. Do as you did with the other half of the tie – Fold the head in half and twist it to the left.

8. Now for the tricky bit. Remember that little hole I mentioned at the end of step 6? You’re now gonna shove the folded head of your other fishy through that hole. I find it helps to fold the fish again, lengthwise, to fit it through here.

9. Done that? Now you should have:

Front bow – folded side on the left. Fishtail on the right.
Back bow – Folded side on the right. Fishtail on the left.

During this procedure, the middle of your bowtie knot might become a bit twisted. You can untwist it slightly to make it a little neater.

Now, to tighten and neaten.

Pull on the two fishheads to tighten the knot, and on the two tails to loosen the knot. Keeping pulling on the heads and the tails until symmetry and a comfortable tightness has been attained. Straighten out the fish-heads (especially the inner right one, which may have become a little crinkled in the exercise), and you’ve got a perfect bowtie!

Now you’re ready for that school formal or prom or that Black Tie family reunion or that fancy dress party which you’re attending as a Computer Nerd.

To undo the tie later, simply pull on the fishtails, and the whole thing just comes apart.

Note: Don’t worry if the tie isn’t absolutely super-duper crazy mega-perfect. No self-tied bowtie ever is. But you can try to get close.

“Ah Watson! The Needle!” – Sherlock Holmes and Drugs

 

“Which is it today? Morphine or cocaine?”
“It is cocaine. A seven-per-cent solution. Would you care to try it?”

– Dr. Watson speaking to Sherlock Holmes, ‘The Sign of Four’

Sherlock Holmes is famous for a lot of things. His deerstalker cap, his pipe, his address (“Two-twenty-one B…Baker Street”), his phenomenal deductive powers and of course…his drug-use. That’s what this posting is about.

The Holmesian Canon (the collection of short stories and the novels), was written by Sir Arthur Conan Doyle, who was knighted in 1902 for services rendered during the Second Boer War (1899-1902). But before the Boer War, Doyle enjoyed the use of another title.

Dr. Arthur Conan Doyle.

That’s right. He was a physician.

He wrote the Holmes stories in the considerable amounts of spare time that he had between appointments and consultations, to make the extra money that his medical practice failed to provide.

It’s probably not surprising then, that medicine and drugs play a big role in the Canon, since after all, the stories were written by a doctor.

Sherlock Holmes and Drugs

The Holmesian canon gives us a window into the world of Victorian England, at the end of the 19th century. We see clothing, transport, social attitudes, science and technology. And we also get a glimpse into Victorian medicine. How many of the characters are doctors or surgeons? Dr. Mortimer, Dr. Watson, Dr. Trevelyan, Dr. Carthew…the list goes on.

But Holmes’s closest association with medicine (apart from Dr. Watson), is his use of drugs.

I will say this once. So pay close attention.

Sherlock Holmes was not a drug-addict.

He says so himself. Holmes’s brain is overactive. It is constantly whirring around looking for things to occupy itself with. When he’s working on a case, his brain is occupied with problems, facts, deductions, inferences and pieces of evidence.

When Holmes doesn’t have a case, his brain has nothing to work on. Nothing to stimulate it. He gets bored and cranky. Hence the drugs. They serve to keep his brain occupied and stimulated when he doesn’t have a case. He hops off them the moment that he does have one. At best, you might say that Holmes was a recreational drug-user. But certainly not an addict. If he was, he’d be huffing on opium and shooting up heroin all day long, even if he was on a case…which he has never done.

“…My mind rebels at stagnation. Give me problems, give me work, give me the most abstruse cryptogram, or the most intricate analysis, and I am in my own proper atmosphere. I can dispense then with artificial stimulants. But I abhor the dull routine of existence. I crave for mental exaltation…”

– Sherlock Holmes, ‘The Sign of Four’

Now, I will sit back while I’m broadsided by a group of angry people screaming at their computer-screens, saying how Holmes is a drug addict because he shot himself up with cocaine and morphine, how he did tobacco, how he huffed opium and did heroin and every other kind of illicit drug imaginable. Of course he was a druggie. Those are all illegal drugs!

…No they’re not.

Drugs in Victorian England

You have to understand that we read the Holmesian stories through modern eyes. Through the eyes of people living in the 21st Century. When these stories were written, some well over a hundred years ago, things were very different.

The most important difference, for the purposes of this posting, is that in Victorian times, opium, morphine, cocaine, laudanum and heroin were all completely legal.

Yes they were. Believe it, or not.

You could go into your Boots chemist in London on Fleet Street and buy a bottle of opium or morphine just as easily in 1885, as buying a bottle of aspirin pills is today. Nothing was thought of it and nothing was said. It was as easy as that. And 100% legal. Owning, using, purchasing and selling these drugs was as common as cough-drops. There was almost no regulation or laws surrounding these substances…mostly because at the time, their side-effects were less well-understood than they are today.

Opiates, especially (opiates are the drugs derived from the opium poppy), were used extensively in Victorian times, either as sedatives, sleeping drafts or painkillers. Sleeping-tablets contained opium or morphine. Sedatives (drugs to help you relax) most likely also contained opium or one of its related drugs.

The most common painkiller of the time was a powerful drug sold in bottles and which was used to treat everything from toothaches, headaches, joint-pains and back-ache. Called ‘Tincture of Laudanum’, this highly potent cocktail of alcohol and opium was powerful and effective…but also extremely addictive. And it was sold as freely in Victorian times as any other non-prescription pain-relief medication is sold today.

The Status of Drugs

In Victorian times, when the Holmesian canon was written, there was almost no regulation about drugs and poisons. The closest thing you had was the pharmacist’s ‘Poison Book’.

By law, pharmacists had to keep a record-book of poisons. Anyone wanting to purchase poison would have to fill out a line in the book. Their name, address, reason for purchasing poison and so-on…and sign their entry in the book. That was pretty much it.

But the drugs which, in the 21st century are illegal, had no regulation in Victorian times. Their side-effects were not understood and they were so widely used by everyone from doctors and surgeons to parents treating their sick children, that nobody thought anything of it.

It would not be until 1920, with the passing of the Dangerous Drugs Act, that drugs like cocaine and heroin would finally be outlawed in England.

Holmes’s Use of Drugs

At best, Holmes was a recreational drug-user. He shot himself up with morphine and cocaine to alleviate the agonising spells of boredom he had between the cases which were his real addiction. Opium is occasionally mentioned in the canon (most notably in ‘The Man with the Twisted Lip‘), and its famous side-effect of drowsiness (which is what made it so popular as a painkiller and sleeping-agent) was recorded therein, but no mention is made of Holmes ever actually taking the drug.

Whatever you might think of Holmes and the use of the drugs mentioned in the canon, you need to understand the historical context of the stories and the manner in which drugs were viewed at the time, and how they were used by Holmes, both very different from how they’re handled and used today.

“Ah Watson! The Needle!” – Sherlock Holmes and Drugs

 

“Which is it today? Morphine or cocaine?”
“It is cocaine. A seven-per-cent solution. Would you care to try it?”

– Dr. Watson speaking to Sherlock Holmes, ‘The Sign of Four’

Sherlock Holmes is famous for a lot of things. His deerstalker cap, his pipe, his address (“Two-twenty-one B…Baker Street”), his phenomenal deductive powers and of course…his drug-use. That’s what this posting is about.

The Holmesian Canon (the collection of short stories and the novels), was written by Sir Arthur Conan Doyle, who was knighted in 1902 for services rendered during the Second Boer War (1899-1902). But before the Boer War, Doyle enjoyed the use of another title.

Dr. Arthur Conan Doyle.

That’s right. He was a physician.

He wrote the Holmes stories in the considerable amounts of spare time that he had between appointments and consultations, to make the extra money that his medical practice failed to provide.

It’s probably not surprising then, that medicine and drugs play a big role in the Canon, since after all, the stories were written by a doctor.

Sherlock Holmes and Drugs

The Holmesian canon gives us a window into the world of Victorian England, at the end of the 19th century. We see clothing, transport, social attitudes, science and technology. And we also get a glimpse into Victorian medicine. How many of the characters are doctors or surgeons? Dr. Mortimer, Dr. Watson, Dr. Trevelyan, Dr. Carthew…the list goes on.

But Holmes’s closest association with medicine (apart from Dr. Watson), is his use of drugs.

I will say this once. So pay close attention.

Sherlock Holmes was not a drug-addict.

He says so himself. Holmes’s brain is overactive. It is constantly whirring around looking for things to occupy itself with. When he’s working on a case, his brain is occupied with problems, facts, deductions, inferences and pieces of evidence.

When Holmes doesn’t have a case, his brain has nothing to work on. Nothing to stimulate it. He gets bored and cranky. Hence the drugs. They serve to keep his brain occupied and stimulated when he doesn’t have a case. He hops off them the moment that he does have one. At best, you might say that Holmes was a recreational drug-user. But certainly not an addict. If he was, he’d be huffing on opium and shooting up heroin all day long, even if he was on a case…which he has never done.

“…My mind rebels at stagnation. Give me problems, give me work, give me the most abstruse cryptogram, or the most intricate analysis, and I am in my own proper atmosphere. I can dispense then with artificial stimulants. But I abhor the dull routine of existence. I crave for mental exaltation…”

– Sherlock Holmes, ‘The Sign of Four’

Now, I will sit back while I’m broadsided by a group of angry people screaming at their computer-screens, saying how Holmes is a drug addict because he shot himself up with cocaine and morphine, how he did tobacco, how he huffed opium and did heroin and every other kind of illicit drug imaginable. Of course he was a druggie. Those are all illegal drugs!

…No they’re not.

Drugs in Victorian England

You have to understand that we read the Holmesian stories through modern eyes. Through the eyes of people living in the 21st Century. When these stories were written, some well over a hundred years ago, things were very different.

The most important difference, for the purposes of this posting, is that in Victorian times, opium, morphine, cocaine, laudanum and heroin were all completely legal.

Yes they were. Believe it, or not.

You could go into your Boots chemist in London on Fleet Street and buy a bottle of opium or morphine just as easily in 1885, as buying a bottle of aspirin pills is today. Nothing was thought of it and nothing was said. It was as easy as that. And 100% legal. Owning, using, purchasing and selling these drugs was as common as cough-drops. There was almost no regulation or laws surrounding these substances…mostly because at the time, their side-effects were less well-understood than they are today.

Opiates, especially (opiates are the drugs derived from the opium poppy), were used extensively in Victorian times, either as sedatives, sleeping drafts or painkillers. Sleeping-tablets contained opium or morphine. Sedatives (drugs to help you relax) most likely also contained opium or one of its related drugs.

The most common painkiller of the time was a powerful drug sold in bottles and which was used to treat everything from toothaches, headaches, joint-pains and back-ache. Called ‘Tincture of Laudanum’, this highly potent cocktail of alcohol and opium was powerful and effective…but also extremely addictive. And it was sold as freely in Victorian times as any other non-prescription pain-relief medication is sold today.

The Status of Drugs

In Victorian times, when the Holmesian canon was written, there was almost no regulation about drugs and poisons. The closest thing you had was the pharmacist’s ‘Poison Book’.

By law, pharmacists had to keep a record-book of poisons. Anyone wanting to purchase poison would have to fill out a line in the book. Their name, address, reason for purchasing poison and so-on…and sign their entry in the book. That was pretty much it.

But the drugs which, in the 21st century are illegal, had no regulation in Victorian times. Their side-effects were not understood and they were so widely used by everyone from doctors and surgeons to parents treating their sick children, that nobody thought anything of it.

It would not be until 1920, with the passing of the Dangerous Drugs Act, that drugs like cocaine and heroin would finally be outlawed in England.

Holmes’s Use of Drugs

At best, Holmes was a recreational drug-user. He shot himself up with morphine and cocaine to alleviate the agonising spells of boredom he had between the cases which were his real addiction. Opium is occasionally mentioned in the canon (most notably in ‘The Man with the Twisted Lip‘), and its famous side-effect of drowsiness (which is what made it so popular as a painkiller and sleeping-agent) was recorded therein, but no mention is made of Holmes ever actually taking the drug.

Whatever you might think of Holmes and the use of the drugs mentioned in the canon, you need to understand the historical context of the stories and the manner in which drugs were viewed at the time, and how they were used by Holmes, both very different from how they’re handled and used today.

The Good Germans: Having a Nazi in the Family

 

The names Hitler, Goering and Heydrich will forever be drenched in blood. Forever mocked. Teased. Spat on. Have songs sung about them regarding various states of testicular development…or underdevelopment.

The actions and inactions carried or not carried out by three of the most reviled men in history have been condemned an infinity of times by survivors, soldiers, historians, ordinary people, politicians, students, teachers, professors, freedom-fighters…and even…their own families.

This is the story of the members of the Families Hitler, Himmler and Goering, who turned their back on the black sheep of their name, who would forever tarnish whatever good reputation they might once have had, or might possibly have had in the future. This is the story of how members from the families of the three most hated men in history worked against their relatives’ revolting actions to try and attone for the sins and misdeeds that would forever be linked to their names.

Just in case you don’t know who these men are (unlikely), here’s a brief rundown:

Adolf Hitler – Chancellor or ‘Fuehrer’ of Germany. Leader of the Nazi Party which ruled Germany from 1933-1945.

Hermann Goering – One of Hitler’s right-hand men. Head of the German ‘Luftwaffe’ (airforce).

Reinhard Heydrich – Senior S.S. general. He chaired the infamous “Wannsee Conference” where high-ranking German officials gathered to discuss the details of the “Final Solution”.

The Good Germans

This is a legitimate article about actual historical events and persons. All the people mentioned in this posting are real and they really did what they did. None of this is made up. Members from the families of Adolf Hitler, Hermann Goering and Reinhard Heydrich, really did conspire against them and worked against the Nazi war-machine during the Second World War. Their stories have been drowned by nearly seven decades of blood, but they are remarkable…and true.

So, let us begin.

William Patrick Hitler (1911-1987)

Related to: Adolf Hitler

Familial Connection: Nephew

William Patrick Hitler was born in Liverpool, England, in 1911. His father was Alois Hitler, half-brother to Adolf Hitler. His mother was an Irishwoman named Bridget Dowling.

The Hitler family is hardly conventional. It’s full of failed marriages, deaths, half-siblings and bastards (literally and figuratively).

William Patrick Hitler grew up in England. His father abandoned him at a young age and went back to Germany; William was raised by his mother, and he wouldn’t see his father again for nearly twenty years. When the First World War ended, William went to the new German ‘Weimar Republic’, the new Germany that had sprung up out of the dust and smoke of the end of the Great War. By now, it was 1929. In a few years, William’s uncle Adolf would seize power, in 1933.

William initially tried to take advantage of ‘Uncle Adolf’s new and powerful position as the new leader of Germany, but he became more and more dissatisfied with what he saw. He wanted Uncle Adolf to give him more to do, perhaps feeling that someone as influential as Adolf Hitler would have more influence. William even tried to blackmail his uncle. When this backfired on him, William fled to the United Kingdom in January of 1939. It was during this time that he wrote an article for a popular magazine, entitled “Why I Hate My Uncle”. Shortly afterwards, William and his mother moved to the United States of America.

When the Second World War started a few months later, William and his mother were trapped in the U.S.A. With German U-boats prowling the Atlantic Ocean looking to attack Allied shipping, it was too dangerous to sail back to England. Eventually (and understandably, after quite a bit of fuss), William managed to join the U.S. Navy, where he worked as a hospital corpsman.

After the War, William changed his name from the German ‘Hitler’ to the more English-sounding ‘Stuart-Houston’. He married and had four sons.

He died in the United States in 1987. He was 76 years old.

William P. Hitler had a sibling – A half-brother named Heinz Hitler (born to his father’s second wife, in Germany). Unlike William, Heinz joined the Nazis. He was captured by the Russians and tortured to death in 1942. He was 21 years old.

Albert Goering (1895-1966)

Related to: Hermann Goering (Nazi officer)

Familial Connection: Brother

Unlike his older brother Hermann, Albert Goering was a rather quiet, gentle sort of fellow. He hated the Nazis and the brutal tactics that they employed. He wanted to live the quiet life of a wealthy, German aristocratic gentleman, living somewhere in the countryside. Of course, having someone like Hermann Goering for a brother made these beautiful dreams rather harder to attain than usual.

Albert was so upset by what the Nazis were doing that he began to actively defy them…probably one of the few people who could do so, and get away with it. He helped Jews and political prisoners escape from Germany to countries of safety by getting them out of jail or by getting them essential travel-documents and money. He used to forge his brother’s signature regularly on important papers to help Jews escape.

So as not to be seen doing things that were suspicious, Albert would occasionally “help” the Nazis…in quite possibly the most unhelpful ways possible! He might sometimes be put in charge of Jewish transports. Only, trucks transporting Jews might never reach their work-assignments, prisons or labour-camps. Instead, they’d drive off a side-road, park in some quiet spot, and then Albert would turn a blind eye while all the prisoners hopped off the trucks and ran away into hiding, or tried to escape.

On occasions when Albert was arrested, he always managed to use his brother’s position as a top Nazi to get himself off the hook.

When the war ended, Albert was picked up by the Allies and interrogated extensively. But when all his supporters (mostly Jews) came to his defence, charges of Nazism were finally dropped.

Albert made a modest living as a writer after the war. He died in Germany in 1966. He was 71 years old.

Heinz Heydrich (1905-1944)

Related to: Reinhard Heydrich (S.S. General)

Familial Connection: Brother

Heinz Heydrich was the younger brother of Reinhard Heydrich, a respected general in the German S.S., the paramilitary organisation that was so heavily involved in the carrying out of the “Final Solution to the Jewish Question”; nothing less than the complete anihilation of the entire Jewish population of Europe.

Heinz Heydrich was a lieutenant in the S.S. Originally, he was very proud of his Nazi association and his older brother’s position within this unique organisation. He was a journalist by trade, and published the party newspaper. He continued his active association with the S.S. until June of 1942.

Early in June, Heinz’s older brother Reinhard died, asassinated by resistence-members in Czechosolvakia. His car was ambushed at a blind corner in a road and he was mortally wounded, dying a few days later in hospital.

It was this event that changed everything. Almost overnight, Heinz received a bundle of Reinhard’s personal papers and files…included in these were detailed plans about the “Final Solution”, in which Reinhard had been heavily involved.

Realising fully for the first time what he’d signed up for when he joined the S.S., Heinz was horrified. He burnt most of the papers in disgust.

Soon after this event, Heinz began to realise that he was in a truly unique position. Being the brother of a prominent S.S. general (albeit, a dead one), and being the editor of the party newspaper meant that he had a lot of influence. He used this to help as many Jews as possible escape from Germany. As a writer and editor of the party newspaper, Heinz had access to a commercial printing-press. He used this to print fake travel-documents which he signed and forged and stamped, and gave to Jewish families, so that they could escape from occupied Europe to countries of safety.

Heinz continued this work for two years, and might have lived out the war and be acquitted at the Nuremberg trials, if not for an event in November of 1944.

An investigation was launched into the goings-on at the S.S.’s newspaper offices. It was a pretty mundane thing – They just wanted to know why there was such a shortage of paper (in 1944 Germany, a lot of things were in short supply). Heinz, terrified that he’d be found out, committed suicide, shooting himself in the head.

He was 39 years old, and left a wife and five children behind.

Want to know more? Or perhaps you don’t believe me that all this is possible?

“Why I Hate My Uncle” – by William Patrick Hitler

“The Good Brother: Albert Goering”

 

Click-Click-Click…Ding! A Typed History

 

Fewer machines have made more of an impact on the world than the humble typewriter. For over a hundred years, this little machine was responsible for everything from newspaper-stories, film-scripts, some of the world’s greatest novels and stories, letters to loved ones and friends, and some of the most famous speeches of the past century.

The Birth of the Typewriter

Well…where did the car come from? Where did the lightbulb come from? Where did the electric telegraph come from?

We think the answer is simple and can be traced to the genius of one man. But as is often the case, the typewriter, just like with all the other things mentioned above, it was the contributions and discoveries and inventions made by lots of people that eventually culminated in one great, mutually-beneficial machine.

The idea of having a machine that could be operated by one man, and which could print out anything that the user wanted using movable type (hence the name ‘type-writer’), is an old one, and dates back at least to the 1700s. While people had been trying for hundreds of years to create a workable typing-machine, it wasn’t until the mid-1800s that real progress started to be made.

The Hansen Ball

This curious machine is the Hansen Writing Ball, so named for its spherical shape. It was invented in 1865 by a priest, Rasmus Malling-Hansen. Put into production in 1870, this was the world’s first commercially-available typewriter.

The Hansen Ball was typing genesis. It was the first real typewriter. But like anything that’s the ‘first real’ of anything, the Hansen was still very much a prototype of things to come, and came with a number of annoying shortcomings. The most obvious one is that, due to the arrangement of the keys, it’s damn near impossible to read the text of what you’re typing while the paper is in the machine. It was pretty clear that something better had to be invented.

The World’s First Typewriter

Behold the first-ever commercially successful typewriter:

What you are looking at is the Sholes & Glidden typewriter. The world’s first really successful typing machine, developed in 1867. It has the familiar type-bars up the top with the roller, and the keys and the spacebar down the bottom in front of the typist. Laid out in this now-familiar manner, this typewriter became wildly popular because it was easy to use, had everything designed in an easy-to-see layout, and was the first typing machine with the now-standard “QWERTY” keyboard (where does ‘Qwerty’ come from? Take a look at the first six letters at the top left of your keyboard in front of you).

The QWERTY keyboard was designed to stop typewriter typebars jamming together by spacing out the keys and typebars of the most frequently-used letters in the English language.

Sholes and Glidden were the men who invented this machine – Christopher Latham Sholes and his friend, mechanic Carlos Glidden. With assistance from printer Samuel Soules, the three men put together their new machine in a workshop in Milwaukee, Wisconsin, U.S.A.

In time, their prototype was ready and was unveiled in 1873. Try as they might, the men couldn’t mass-produce their typewriters, and so they sold it to
a firearms manufacturer.

This firearms manufacturer was looking to make more things than just guns. They were already making mechanical sewing-machines, and they saw this new ‘typing-machine’ as the next big thing, and snatched it up.

The name of this company?

E. Remington & Sons.

To this day, Remington typewriters are still considered among the best in the world, along with Ollivetti, Royal and Smith-Corona.

The Sholes & Glidden typewriter was renamed the Remginton No. 1. Although it was fairly practical, it still had a few shortcomings – you were still unable to see what you were typing on the paper. And the typebars only had capital letters on them. But it was at least better than the Hansen Writing Ball.

Improving the Typewriter

The Remington No. 1. was successful, but only moderately so. The shortcomings mentioned above slowed its acceptance by society, and the relative complexity of its operation meant that special people (typists!) had to be trained in using this new machine.

By the the 1880s and 90s, typewriters had improved markedly in design. Now, you could see what you were typing as you typed, due to a rearrangement of the typebars and the manner in which they struck the paper. You could type in both upper and lowercase letters and typebars didn’t tangle up and jam as much as they uesd to. By the turn of the century, the modern mechanical typewriter as we know it, was developed.

The Impact of the Typewriter

The impact of the typewriter was amazing. For the first time in history, a person could write faster than what he could with a pen. He didn’t need to keep dipping his dip-pen into an inkwell. His writing remained neat, constant and level throughout the entire word…sentence…line…page…document!

The typewriter made everything faster, neater, easier and more standardised and uniform. The typewriter also saw the entrance of women into the business workforce for the first time. Secretaries hammered away at their machines, typing out copy and speeches, reports, essays and memoranda. The typewriter was changing everything.

Once, writers had to handwrite everything. Now, they could type it up. Some of the greatest stories in the world were typed up on typewriters, and some typewriter-brands became famously associated with various authors.

Typewriter Lingo

Ever since the 1980s, the typewriter has become less and less of a business machine or desktop staple, and more and more a historical curiosity. But to this day, we still use a lot of typewriter jargon in our everyday lives.

Don’t believe me?

C.C.

You see this on your email textboxes all the time. “C.C.”, stands for “CARBON COPY”. In the days of typewriters, to make a carbon-copy meant to sandwich two pieces of paper around a sheet of carbon-paper. All three pieces of paper were then cranked into the typewriter. When a typebar struck the ribbon, the ink would imprint itself onto the first sheet. The force of the typebar hitting the page would press some of the dye out of the sheet of carbon-paper and imprint the same letter onto the second sheet of paper behind it. This second sheet of paper would be called the ‘carbon-copy’.

Return/Enter

The most important key on a keyboard. It opens windows, closes folders, starts new lines, begins movies and does so many things in computer-games.

But have you ever noticed that this oh-so-important key, locted on the right of your keyboard, isn’t always called ‘ENTER’?

On some keyboards, it’s called ‘RETURN’.

Why?

The ‘Return’ or ‘Enter’ key is descendant from the typewriter, back when you started a new line and returned the carriage to the extreme right by pulling on the carriage-release & return lever.

Shift

Aah, the shift-key. The bane of civilised internet-users.

But why is it called a shift-key?

The Shift Key, the one that transforms your lowercase letters into CAPITALS, is a holdover from typewriter days. It gets its name because pressing this key on the typewriter quite literally ‘shifted’ the keys. It moved the basket (the semicircular collection of typebars) up so that when a key was pressed, the capital of a letter would strike the ribbon and mark the paper, instead of its equivalent lowercase letter.

The hammerheads of all typewriter-bars actually have two letters (or other appropriate symbol on it) instead of one. The regular letters or symbols struck the ribbon and paper when the typewriter was in default mode, but pressing the shift-key shifted the basket so that capital letters (or symbols such as the $-sign or the &-sign), on a particular hammerhead would strike the ribbon and paper instead.

Back then, just as today, the Shift key was operated by the pinky-finger. Today, it’s pretty easy to hold down Shift and just TYPE LIKE THIS.

But try doing that with a mechanical typewriter and you’ll probably sprain something. So to combat this, you had…

CAPSLOCK

The Shift-Lock or Capitals-Lock (“CAPSLOCK”) key was introduced to hold the basket of typebars in the capitals-position while typing out headings or other parts of a document that had to stand out. This function allowed the typist to type out long sections of capitalised text without putting extra strain on the pinky-fingers which would otherwise have to have held the shift-key (and the entire basket of typebars) in-place while this operation was completed.

Backspace

Typewriters have the famous shortcoming of not allowing the typist to delete or remove previously typed text. And yet…they have a key called ‘Backspace’, a key that, if pressed on a modern computer keyboard, deletes previously-typed letters.

So what’s the point?

The backspace key shifted the carriage back one or more typespaces when it was necessary to type in more text on a particular line (such as when filling out forms and so-forth).

Typewriter Components

Typewriters are complex machines. What are the various elements of a typewriter called?

The bed of keys is obviously the keyboard. The long thing that slides back and forth along the top of the machine is the carriage. The semicircular row of typebars (that fly up when a key is pressed) is called the basket. The two rollers on either side that scroll in the paper are called the platen-knobs. The round drum on the top of the carriage which the paper curls around is called the platen. The tray behind the platen which the paper rests on is the paper-table.

On the left of the carriage are two levers. They are the carriage-release lever, and the carriage-return lever. The release-lever sends the carriage back to the starting position. The carriage-return lever starts a new line. More modern typewriters chucked out the return-lever and the carriage-release lever performed both functions simultaneously.

The two tabs that held the paper against the platen (to stop it wiggling around) were called the paper-fingers. To get the paper-fingers to release their grip on your hard work, you had the paper-release lever. To shift the carriage freely from left to right, you had the secondary carriage-lever, that allowed you to unlock the carriage and move it freely and then lock it back into place and resume typing (handy for creating centered headlines, lists, etc, without constantly pressing the spacebar and wasting valuable inches of ribbon).

When a key was pressed, a typebar would fly up and strike the ribbon and mark the paper. The middle of the typewriter, between the two round ribbon-spools had a small square or rectangular window set into it, which each key would aim for when it hit the paper. This was the type-guide. It did double-duty in ensuring that every key would hit the same spot and create a neat line of text, and it also held the typewriter ribbon in place, to stop it wiggling around and causing the typebars to miss it when they hit the paper.

For the typewriter to print the stuff that you wanted onto the paper, you had the typewriter ribbon, the ribbon that ran around the two ribbon-spools on either side of the typewriter, and which was impregnated with ink. Most ribbon-spools were two-toned. Black, and Red, depending on the colour of ink you wanted to use.

Last, but not least, you had every typewriter’s most famous component.

The warning-bell.

The point of the warning-bell was not to tell you to stop immediately and start a new line. The purpose of the bell was to tell you that you were reaching the end ofthe page. When the bell rang, you were obliged to finish typing your current word, then pull the carriage-release and push it back to the start to begin the new line.

The Evolution of the Typewriter

The typewriter lasted for over a hundred years. Well into the 1980s and 90s. It wasn’t until computers became really practical that typewriters stopped being used. But until then, you had everything from mechanical typewriters, electromechanical, totally electric typewriters…made from steel and then increasingly out of plastic, with all kinds of features that people invented and added to these machines to try and make them as practical and as efficient as possible.

I’m just old enough that when I was a child, I learnt to type, not on a computer, but actually on a typewriter. I used my parents’ old Canon electric typewriter to do my homework and type stories on. I still remember the electronic ‘Beep!’ of the warning buzzer and pressing the ‘Return’ key and watching the carriage slide back to the start-point. I even remember learning to change the typewriter ribbon by myself when the machine ran out of ink, and unravelling old ribbons and holding them up to the light to read all the words I’d typed on them!

Gosh, typewriters are fun to muck around with when you’re 10 years old…

Desktop and Portable Typewriters

The typewriter, just like the computer, came in two varieties. The desktop typewriter, and the portable typewriter. It’s pretty easy to tell which is which, purely based on size.

This is a desktop typewriter:

Made of solid steel, as you can see, this Remington 12 is quite a monster. These typewriters were so huge and heavy that in some cases, carpenters would build special typewriter desks just to support their massive weight, and to cope with the vibrations caused by thousands of keystrokes and hammer-strikes every single day.

It’s probably not surprising then, that typewriter manufacturers created portable typewriters.

This is the Remington Portable #7. As you can see, it’s MUCH smaller and more compact than the much chunkier and heavier desktop model up above. These typewriters were designed for journalists, teachers, office-workers and writers who did a lot of travelling. They were the laptop-computers of their day. And just like laptops, they came with their own carrying-cases.

The Typewriter Today

The typewriter finally ended in the 1990s when practical home-computers began to take over and the typewriter was consigned to history. But that doesn’t mean they’re forgotten. A lot of famous writers today still use them. Until he died a couple of years back, children’s author Brian Jacques (pronounced ‘Jakes’), creator of the fuzzy little Redwall series, would type up all his stories on a mechanical typewriter (because he found computers too complicated to use). Actor Tom Hanks is an avid typewriter collector.

Blind people still use a variation of the typewriter today. Perhaps you’ve seen one of these?

It’s called a Perkins Brailler. It’s a typewriter for the blind, and many blind people still use them today. Made of solid steel, these machines punch out the raised dots known as ‘braille’, which blind people read with their fingertips. The six keys, pressed in various combinations, punch out the six-dot braille code into special, extra-thick braille-paper (ordinary paper doesn’t work on a brailler because the force of the keys punching into the paper would rip it to pieces). The sliding toggle on the top is the carriage. Pressing on it slides it back to the left, or to any other point along the line, allowing a brailler to start typing on any point of the page.

I used to be acquainted with a number of blind students and although I never used one, I saw Perkins Braillers on a regular basis. They’re probably the closest thing to a typewriter still used on a daily basis today.

Last, but not least, let us never forget one of the most indelliable marks that the typewriter has left on modern society. A little piece of music written by composer Leroy Anderson in the middle of the last century, simply called…

‘The Typewriter’:

…A piece of music that can only be played successfully with a vintage mechanical typewriter (they’re the only ones which create enough noise, and which have the distinctive sounds to work with the music).

Raining Hell: Surviving the Blitz

 

Back in December of 2009, I wrote a two-part article about the British home-front of the Second World War. Although I covered a lot of things, upon reviewing that posting, it’s become apparent to me that I didn’t really write that much about the Blitz, the concentrated aerial bombardment of British cities by the German Luftwaffe from 1940-1941.

This posting will concentrate on the purpose, aims and effects of the Blitz on London during the Second World War.

What was the Blitz?

The Blitz is probably the most famous event of the Second World War. Although it was by no means the first time that civilians were exposed to aerial attacks, it is certainly the most memorable.

The Blitz was the deliberate and concentrated bombing of British cities and towns (although the main target was London), by the German Luftwaffe in the period between the 7th of September, 1940 to the 10th of May, 1941.

The Blitz gets its name from the German word “Blitzkrieg“, ‘Lightning War’. This new, mobile form of warfare brought the war to the enemy, instead of waiting for the enemy to make the first move. The whole point was to strike first and strike fast. Just like lightning does, hence the name.

The Purpose of the Blitz

After the fall of France in mid-1940, the German war machine turned its attention to the British Isles. It was the German intention to invade Britain, but they realised that an invasion would be impossible if they didn’t manage to knock out at least one of the Britain’s two most formidable fighting forces.

Great Britain was defended by the Royal Air Force (the RAF), and the Royal Navy, then the most powerful blue-water navy in the world (and had been for the past 200 years).

The Germans knew that they couldn’t hope to fight and win against the Royal Navy, but they hoped that they would be able to attack and destroy the Royal Air Force. So began the Battle of Britain.

The Battle of Britain was supposed to knock out British air-superiority and allow the Germans to launch their invasion of Britain with unchallenged air-support. Unfortunately for the Germans, the British were made of tougher stuff than they’d supposed, and after several weeks of vicious aerial combat, the Germans were forced to surrender. It was the first battle in the war that the Germans had lost.

Unable to beat the RAF, the Luftwaffe decided instead to try and destroy British cities and towns to demoralise the British people. The Nazis thought that, by doing this, they could force the British to surrender to the might of the Aryans and cease their hopeless and useless attempts to struggle onwards in vain. So began the Blitz.

Preparing for the Blitz

The British Government planned for months for the coming of the Blitz. They never expected the Germans to play nice, so they had plans for every eventuality and scenario, including large-scale aerial bombardment of heavily populated cities.

Amongst these preparations were…

– Evacuation of children, babies, toddlers, expectant mothers, the ill and the elderly from towns along the south coast and major cities, to country towns further north, out of the effective range of German bomber-planes. This mass evacuation, which started on the 1st of September, 1939, was called Operation Pied Piper. It was the first of several evacuations from large British cities throughout the war.

– Issuing everyone, man, woman, child and even babies, with gas-masks. The British fully expected the Germans to bomb them with mustard gas, chlorine gas and other nasty and potentially deadly gases. No such gas-bombings ever took place, but nevertheless, civilians were urged to carry their gas-masks with them everywhere they went, and were reminded to keep them in a place at night where they would be instantly accessible.

– Enforcing a blackout throughout England. Street-lights were turned off. Car-lights were covered. Bicycle-lamps shielded. Thick, heavy blackout curtains were distributed to every single home and business and every night, these curtains had to be put up over a building’s windows so that not a single streak of light could be seen. The blackout was enforced with amazing strictness. You could be fined for showing even the smallest amount of light!…Even the glowing tip of a cigarette!

– Issuing the public with personal air-raid shelters. Anderson Shelters and Morrison Shelters (more about those later).

– Inflating enormous barrage-balloons. Barrage-balloons were huge, gas-filled floating balloons that were shaped like blimps. They floated above the cities and towns of England (and other allied countries) to protect people from low-flying enemy aircraft. If a low-flying German plane appeared, it would have to fly around, or over the barrage balloon, or risk crashing into it and having the balloon’s tethering-cables wrap around its propellers, causing it to stall and crash. Some balloons had explosive charges on them, so that any plane that crashed into them set off the charges and the balloon exploded, taking the plane down with it.


Barrage balloons floating over central London during the War. The building at the bottom of the photograph is Buckingham Palace

Surviving the Blitz

So…what happened during an air-raid?

Fortunately for the British, they were equipped with a new wonder-technology. It was called Radar. Or correctly, R.A.D.A.R, which stands for “RAdio Detection And Ranging”. Although it was in its relative infancy at the start of the war, RADAR allowed the British to monitor enemy airplanes. Where they were, how many there were, how high they were and where they were going. The Germans never figured out what RADAR was until after the war. They never equated the huge radio towers on the south coast of England with aircraft detection.

RADAR allowed the British to keep an eye on enemy planes. And most importantly, it allowed the British to warn large cities of incoming enemy air-raids. RADAR posts would be contacted by radio and telephone and then the warnings went out in the form of air-raid sirens.

There were two types of air-raid sirens in the war. The smaller, hand-cranked ones which could be operated by one man, or larger, electromechanical ones which were powered by electricity. There were a number of warnings that these sirens could give out, but the two most common ones were “Red Danger” or “Red Alert” (continuous high-low tone), and “All Clear”, (continuous high-pitched tone).

Even with radar. Even with sirens. Even moving as fast as you could, the chances of being caught in the wrong place at the wrong time during a raid could be pretty high. From the moment that the sirens went off, you had between 10-15 minutes to make it to an air-raid shelter before the bombs started to fall.

To give you an idea of just how terrifying a raid was, imagine the following scenario:

You finish work early and go home. During the war, businesses closed shop early so that people could get home in time for air-raid preparations. Perhaps you have to walk, tripping over rubble, broken glass, wood, masonary, blown up cars, around cordoned off streets…in the dark, because there’s no street-lights burning…and the Underground is out of action from power-shortages and bombing.

Imagine getting home to a small, rationed dinner, putting up the blackout curtains and going upstairs to bed in your cold bedroom. It’s cold because like everything else, coal is rationed, so you can’t keep your furnace burning all the time like you used to.

You fall asleep. Exhausted. You’re woken up at one o’clock in the morning by the steady, wailing, high-low tones of the nearest air-raid siren. You’re groggy, dizzy, tired. You can’t see straight in the half-light, and you’re only dressed in your night-clothes…and you have ten minutes to run out of your house with all the things you hold dear…and make it to a bomb-shelter before your house is blown to pieces and you become another statistic. If you live with your family, imagine having to round up the kids…your wife, your husband, your brothers, sisters, your parents, grandparents…and getting them all up and moving and out of the house in the middle of the night when they’re all asleep..in ten minutes. In fact make that five minutes. Because after ten minutes, you’re dead.

Imagine staying in your shelter during the raid. You can’t sleep because of the sirens, the fires, the explosions, the rattling of the flak-guns and the reports of anti-aircraft cannons going off, mixing with the sound of aircraft engines overhead.

You stay up all night, wondering if the next bomb has your name on it. When the raid is over, you leave the shelter and wonder if your house is still standing. Whether your friends are still alive, whether that one person who didn’t make it into the shelter on time is dead or not, or whether they managed to hide somewhere and survive. Imagine having to clear away rubble and pick through the remains of your destroyed house. Imagine not being allowed to go back home because there was an unexploded bomb in the middle of your street.


Newsreel footage of the Blitz

Imagine having to do this for seven months. That was how long the Blitz lasted.

Imagine having to do this every single night, after night, after night, after night, for two and a half months without pause. That was how long the Blitz concentrated on London alone.

That was the reality of the Blitz.

Air Raid Precautions

Now that you have a mental picture of the panic of an air-raid, you can imagine the sheer terror that gripped people when those sirens went off every single night.

So how did they cope with it?

Well, enter the A.R.P.

A.R.P. stands for “Air Raid Precautions”.

The ARP was responsible for the safety of civilians during air-raids in Britain during the Second World War. They evacuated people from their houses, they did head-counts, they directed people to shelters, they assisted with raid-related emergencies such as fires, rescues, unexploded bombs (or UXBs as they were called) and collapsed buildings.

The men on the ground doing the work for the ARP were the ARP wardens, with their metal Bodie-style helmets and dark blue uniforms.

Apart from the above-mentioned duties, ARP wardens also enforced the blackout. “Put that light out!” was a common thing to say if a light was visible from the street. Wardens also issued gas-masks, personal air-raid shelters, patrolling the streets at night, and handling bomb-damage. ARP wardens and fire-watchers would carry buckets of sand with them during an air-raid to put out incendiary bombs that had exploded and set things on fire. Incendiary bombs were firebombs filled with nasty liquids that would fizzle, burn and explode if you tried to put the bomb out with water, so sand was thrown on them instead to prevent the fire from spreading. ARP wardens also gave raid-victims first-aid and would help the police and firemen recover dead bodies from destroyed buildings and shelters. Apart from their helmets, ARP wardens were also given handbells and specially-manufactured Metropolitan police-whistles with “A.R.P” stamped onto them, to use as alarm and attention-attracting devices during a raid.


An ARP helmet, bell and metropolitan-style ‘ARP’ police whistle

Amazingly, the ARP existed long before the War ever started. It was formed back in 1924!

Why?

Well, during the First World War, London was bombed by German zepplins and bomber-planes. During these early raids, there was no prescribed way of handling the situation, since it was completely new in the history of warfare. Determined to be prepared if it happened again, the ARP was established to assist people during an air-raid if London was ever bombed again in the future.

The ARP wardens had among the most dangerous jobs in England during the War. Imagine having to run from your house in a raid to find a shelter in the pitch black when the sirens went off. Imagine having to roam around the streets directing human traffic, having to order people around, having to calm hysterical women, screaming children and panicking men while sirens scream and bombs explode around you, knowing that at any second, a bomb could go off, a building could collapse or catch fire, and you’d be dead. Imagine having to try and herd dozens, hundreds, of panicking people into an air-raid shelter in the height of the chaos, with only your hands and your police-whistle to direct people and get attention – Don’t bother shouting out orders – nobody would hear you over the sound of the explosions and sirens.

Such was the reality of being an air-raid warden.

Air-Raid Shelters

So what exactly were you supposed to do when the air-raid sirens went off?

Well, in the five or ten precious minutes of warning that RADAR and sirens were able to give you, you had to snatch all your worldly belongings, gather the people of your household, get your gas-mask (you HAD to take it. No exceptions. Even the Queen Mum carried hers with her everywhere she went) and run for the nearest shelter.

What kinds of shelters were available to people during the War?

In Britain, air-raid shelters varied significantly. They might be railroad bridges, church crypts, the cellars and basements of big buildings, or most famously – Underground Tube stations. Seventy nine of them were converted into air-raid shelters and underground workshops during the War.

But what if you couldn’t make it to a public air-raid shelter or gathering-point in time? What did you do then? Perhaps the nearest shelter was four blocks away.

Can you run four blocks in two minutes?

If you couldn’t, then you had to rely on the government-issued air-raid shelters. They came in two styles. The Anderson Shelter and the Morrison Shelter.

Anderson Shelter

Designed in 1938, a year before the war even started, this crude air-raid shelter was named for Sir John Anderson, the chap in charge of air-raid precuations.

The Anderson Shelter was a cheap, D.I.Y. shelter. It came delivered to your house (or you could go out and buy one) in fourteen prefabricated parts: Six roof-panels, six side panels, and two end-panels (one with a door, to create an entrance).

When properly assembled, the Anderson shelter was designed to hold six people. The shelters were six feet high, four and a half feet wide, and six and a half feet long. And it wasn’t just a matter of bolting them together in the garden as a children’s cubbyhouse. You had to dig a hole in the back yard! Six and a half feet long, four and a half feet wide (for the length and breadth of the shelter), and four feet deep! You assembled the shelter in the hole, with additional space for the door, and then you covered the entire thing with earth to provide shock-protection.

Despite how flimsy the whole construction sounded…these things did save lives.

But what if you didn’t have a garden, and you lived miles from the nearest public shelter?

Then you used the…

Morrison Shelter

The Morrison Shelter was named for Herbert Morrison, then Minister of Home Security. The Morrison shelter was a heavy, steel table with wire sides between the legs and base. It was designed to hold two to three people and protect them in the event of a raid. Because of their design, Morrison shelters often doubled as coffee-tables or dining-tables in people’s living-rooms during the War. In a pinch, you could open the side of the shelter, crawl in and slam it shut behind you.

The Purpose of the Shelters

Duuuh. To protect you against bombs!

Ehm…no.

Anderson Shelters and Morrison Shelters were not, and never were, designed to protect you against bombs.

Be serious. Is a metal table or a few sheets of corrugated steel, going to protect you against a bomb weighing thounds of pounds?

Of course not.

Well then what was the point of having them?

The point of these shelters was not to protect you from bombs. They were never designed to take a direct hit. Instead, they were designed to protect you from shrapnel.

When a bomb drops and explodes, it sends out heaps of shrapnel. The metal shell-casing, bricks, glass, wood, mortar, chunks of concrete and all other kinds of flying debris. Every single one of these things is a potentially lethal missile. If they hit the sides of the Anderson Shelter, you would be safe. This was why the shelters were dug into the ground and covered with soil. To protect against shrapnel.

Morrison shelters protected you from above. They were designed to withstand the force of the house collapsing on top of you if it was bombed. The table-shelter would give you a ‘safe-zone’ in which to hide, protected from the rubble, until ARP wardens and fire-watchers could extinguish the flames and get you out alive.

Public Shelters

If you didn’t have a garden or space for a Morrison Shelter in your apartment, then in an air-raid, you could use a public air-raid shelter. The most famous public air-raid shelters were the seventy nine Tube stations that were converted into bomb-shelters and underground workshops during the War. Some stations which were no-longer used might be converted into storage-areas or workshops. But other stations which still received regular traffic were used as air-raid shelters.

Ducking down in the Tube was hardly pleasant. How would you like to spend the night in a cold, draughty, piss-soaked subway station with dozens of other people, with blankets and cold food and no toilets and rats and water and the wailing of the sirens, the blasting of anti-aircraft cannons and the explosions of bombs up above you all night?

The British Government initially dissuaded people from using the Tube as an air-raid shelter. They were scared that, once everyone went underground, they’d never want to come out again.

When these fears were proved groundless, the government picked out the nearly eighty stations across London that could be used to house people in air-raids. They were fitted with extra toilets, lights, running water, bunk-beds and even special trains that came by with hot food! At night, Tube workers would cut the power so that Londoners could sleep on the railway tracks without getting electrocuted by the current that ran along the third rail which powered the subway trains.

Of course…you had to be able to wake up on time in the morning, otherwise you might get run over by the morning rush-hour!

People kept their spirits up down in the Tube with songs and games. Many people would actually arrive early! They’d show up in the station after work with their wives and husbands and kids, tea and sandwiches, blankets, coats and pillows, and pick out the best spots in the station to bunk down for the night.

Other public air-raid gathering points included basements, cellars, church-crypts and bridges. While none of these provided complete safety from aerial attack (almost nothing could protect you from a direct hit), they were made available for those people who had nowhere else to run.

Despite the provision of private shelters and the setting-up of public ones, a significant number of Londoners actually chose to sleep in their own homes during the air-raids. Since sleeping in the shelters didn’t guarantee safety, some Londoners decided that if they were going to die anyway, they’d prefer to die in their own homes.

The Baedeker Blitz

The main body of the Blitz on the United Kingdom was over by mid-1941. However, that didn’t mean that the danger had completely passed, and throughout the war, the Germans continued to conduct air-raids on British cities and towns. The next most famous set of raids were collectively called the Baedeker Blitz.

These air-raids were named after the famous Baedeker (pronounced ‘Bay-Decker’) guidebooks. The Baedeker Co. (ironically, a German company!), was famous for printing in-depth guidebooks of famous countries and cities for the travelling public, covering everything from England to France, Italy to China. They were the Lonely Planet of their day.

These raids, which took place between April-June of 1942, targeted the famous tourist and cultural centers of the British Isles, such places as would be mentioned in the famous Baedeker Guidebooks (hence the name).

Cities targeted included York, Bath, Norwich, Exeter and Canterbury. The famous Canterbury Cathedral was one of the targets during the Baedeker Blitz. Fortunately for the British, the bomber missed the Cathedral (although not by much). Unfortunately for the British, the bomb struck the cathedral’s archives building, destroying it in a direct hit.

V1s and V2s

By the last year or so of the war, the Germans were in deep trouble. The Allies were closing in from the East and West. From France, British, Canadian, French, Polish and American forces were charging towards Berlin. In the East, the Russians were steamrolling the Germans back, taking bloody revenge for their fallen comrades, whom the Germans had previously captured…and killed…in their hundreds of thousands.

But that didn’t stop the Germans from trying to strike at England. In 1944 and 1945, they developed and launched first the V1, and then the V2 rockets. These crude weapons were the predecessors to today’s guided missiles.

Launched starting shortly after D-Day, the V1s were nicknamed ‘Doodlebugs’ because of the buzzing noise they made when they flew overhead. Although probably a powerful psychological weapon, in reality they were not as effective as the Germans had hoped. Doodlebugs were slow and cumbersome. British anti-aircraft cannons could take them out with relative ease. And even when the Germans launched doodlebugs en-masse, only one in four ever made it past the anti-aircraft guns.


The V-1 ‘Doodlebug’

The V2s, much faster and more accurate, were so advanced for the day that they were beyond the capabilities of anti-aircraft gunners to shoot down. Deciding that it was impossible to destroy the rockets once they were in the air, and unable to destroy the launching areas (hidden and well-protected), the British instead relied on disinformation and espionage to defeat the Germans and their fearsome new Weapon of Mass Destruction.

For the duration of the war, the British had been training a large number of spies. Some spies were British. Other spies were Germans who spied for Germany, but who were captured by the British and turned into double-agents, spying for both countries, but only supplying useful information to the British. Some German spies actually hated the Nazis. They would sign up for spy-duties, get sent to England, and the moment they could, they would hand themselves into British authorities, divulge their mission-details and any handy bits of information, and then switch sides and spy for the British.

This complex network of spies and misinformation was called the Double Cross System. And the British used their extensive network of agents and spies to screw up the Germans and their V1s and V2s.

Because of the crudeness of these early missiles, the Germans had to rely on their agents in England to tell them how successful the weapons were. Egged on the British, the German double-agents would send back misleading reports.

If a missile missed London (or another prominent target), information sent back to Berlin was that the missile was on target and that nothing should be changed.

If a missile hit its target, then a message sent back to Berlin would say that the missile had been ranged too long (or short) and that corrections would have to be made. These ‘corrections’ would in fact result in the previously-accurate missiles going off-target and striking smaller communities or exploding harmlessly in the countryside.

Using these tactics, the British were able to redirect the majority of German V-2 rockets into less-populated (or completely unpopulated) parts of the country, where a bomb-explosion was less likely to kill someone.

By early 1945, with the Allies closing in on Germany on all fronts, and the Germans running short on everything from food, to water, fuel, ammunition and more essential things like lederhosen, their campaigns of terror against Britain finally ceased.

Cities all over the British Isles were devasted by the bombing. Streets were cordoned off, buildings were demolished, entire families might be wiped out. Apart from London, probably the hardest-hit city was that of Coventry, where almost the entire city was flattened by German bombing in one night. So intense was the bombing that the Germans invented a new word to describe the sheer level of destruction – Koventrieren – to Coventrate – or to destroy something completely.

Few people today can imagine the terror of exploding bombs, the scream of air-raid sirens and living in constant, daily fear. For many people, it’s something they read about in history-books, see in movies or in episodes of ‘Foyle’s War’…But it did happen.

Dad’s Army: The Home Guard

 

Who do you think you are kidding, Mr. Hitler?
If you think we’re on the run?
We are the boys who will stop your little game,
We are the boys who will make you think again!

‘Cause who do you think you are kidding Mr. Hitler?
If you think old England’s done?

Mr. Brown goes off to town on the 8:21,
But he comes home each evenin’ and he’s ready with his gun!

So watch out Mr Hitler, you have met your match in us,
If you think you can crush us,
We’re afraid you’ve missed the bus

‘Cause who do you think you are kidding Mr. Hitler?
If you think we’re on the run,
We are the boys who will stop your little game,
We are the boys who will make you think again,

‘Cause who do you think are kidding Mr. Hitler?
If you think old England’s done!

Behold the original 1940s theme-song of the British Home Guard!

Okay, no, not really.

Who Do You Think You are Kidding Mr. Hitler‘ was the theme-song to the popular 1970s TV show “Dad’s Army”, that chronicled the activities of a fictional Home Guard unit during the Second World War. The song was actually written in 1968 and sung by famous music-hall veteran Bud Flanagan. Flanagan came out of retirement to record the theme-song as a special favour to the show’s creators, who were avid fans. They wanted the show’s theme-song to be sung by a real wartime singer (which Flanagan was), and they got lucky when he agreed. Really lucky! Flanagan died less than a year later!

“Dad’s Army” was one of the great television comedies of the 70s. But it’s scary to think that fiction mirrored reality in so many ways! A lot of the jokes in the show (weapons-shortages, no uniforms, poor training, old codgers thinking they could fight off the Luftwaffe) were actually real problems faced by the real Home Guard back in the 1940s! This is the true story of Britain’s citizen army – The Home Guard.

Local Defence Volunteers

With the fall of France, the British were terrified that the Germans might turn their sights on England and attempt to invade them sometime in 1940 or 1941. Fearing that they might not have enough fulltime soldiers to defend the British Isles, on the 14th of May, 1940, the British Government established the Local Defence Volunteers, a ‘citizen army’ who could fight off the Germans and secure the Isles until soldiers from other parts of the Empire could arrive to provide backup.

The L.D.V was expected to be made up of about 150,000 carefully-chosen men who would be Britain’s first line of defence against a German invasion. Within 24 hours of the original radio broadcast made by Anthony Eden, 250,000 men had signed up! To give you an idea of how many that is, the entire British Army was 250,000 men before the war started! By 1943, the Local Defence Volunteers numbered nearly two million (1.8 mil, precisely), and never fell below 1,000,000 for the rest of the war.

Dad’s Army – The Home Guard

The L.D.V. was renamed the “Home Guard” by order of Winston Churchill in August of 1940. It sounded better and was easier to write down. This proud fighting force of patriotic British men would stave off impending doom from a Nazi invasion of their treasured homeland!…or not. We’ll never know, because Britain was never invaded, but the British Government and Army were determined to be ready for any eventuality.

Signing up for Duty

The Home Guard officially recruited men and boys ranging from 17-65 years in age. Recruits were men who were too young to fight in the regular army, too old to fight in the regular army, who were excused from regular combat due to medical issues or who were excused from enlistment due to being in a ‘reserved occupation’ (having a job that was essential to the war-effort…like baking bread…and no, I’m not kidding. Bakers were exempt from joining the army).

In the flurry of activity to join the newly formed Home Guard, the rules were only loosely followed. Children as young as fifteen and sixteen joined the Home Guard and grown men as old as seventy joined up! The oldest guardsman was Alexander Taylor. He first bore arms for king and country back during the Mahdist War of 1881! When he signed up for the Home Guard, he was well over eighty years old!

Approximately 40% of the Home Guard were made up of former soldiers, most of them veterans of the Great War of 1914 (ahem, the First World War to you and me).

Because the majority of the guardsmen were of advanced age, the Home Guard was given the popular nickname: “Dad’s Army”.

Training the Guard

Training for the Home Guard was rudimentary. Because such a sizeable number of the men (as well as their commanding officers), were all veterans of former wars (the Great War, the Boer War, the Second Afghan War of the 1880s and so-on), they felt that they didn’t need any training. They were soldiers already! Or they were…once upon a time…and they were ready to do it again!

As noble and patriotic and romantic and well-meaning as all these sentiments were, they all overlooked the fact that many of these men fought back in the days of cannons, horse-cavalry charges, bayonets and single-shot rifles! Their training didn’t prepare them for a modern, 20th century war! So like it or not, they all had to be trained from the ground up…all over again. Some officers were allowed to keep the ranks that they’d earned during previous conflicts, however.

Arming the Guards! (The Bullet is not for firing!)

It’s just as well for the people of Britain that their homeland was never invaded. The Home Guard had nothing to fight with!

See, during the war, all the best weapons were required by the regular army. They got all the up-to-date machine-guns, mortars, knives, daggers, small-arms and rifles. The Home Guard had to make-do with whatever crap they could find that was left over! The wartime mantra of “Make do and Mend” was never more true!

The Home Guard was woefully under-equipped. They didn’t even have proper uniforms until halfway through the war! Just armbands that they wore on their sleeves. And weapons…oh boy.

To give you an idea of how ill-equipped the guardsmen were, they used to do rifle-drills with almost anything BUT a rifle. They used billiard-cues, broomsticks, walking-sticks, crutches, umbrellas, cricket-bats, pitchforks, hoes…anything!

What firearms they could find were usually what they brought from home. Their revolvers, their heirloom duelling-pistols, Uncle Jack’s hunting-rifle, double-barreled sawn-off shotguns, break-open long-barrel shotguns, handguns…they didn’t have a single rifle between them!

The shortage of arms for the Home Guard was so severe that they even broke into museums to find them! Cannons, muskets, blunderbusses, musketoons…even old cavalry swords! Everything was requisitioned by the Home Guard for the defence of the realm. And I don’t mean that they knocked on a museum door, spoke the curator, got him to sign a piece of paper and then helped themselves to the guns…I mean they literally broke in! Smashing glass display-cases and making off with the guns!

Winston Churchill recognised this shortage of firearms and he wrote a letter to the War Office in June of 1941 which read:

Every man must have a weapon of some kind, be it only a mace or a pike!

You can guess what happened next.

What Churchill REALLY meant was that the Home Guard should be equipped with whatever weapons were available and that every effort should be made to give them the best firearms that the British Army could spare!

Unfortunately for Churchill, the War Office took his message a little too literally. In 1942, they finally finished producing 250,000 pikes.

Yes.

Pikes.

Long, pointy sticks that go stabby-poke.

Exactly what Churchill said when the War Office told him that his order of pikes was ready for dispersement, isn’t recorded. But it was probably an impressive array of profanities.

Needless to say, the ludicrous pikes were never used. Most of them were never even unpacked and removed from storage! The guardsmen refused to use them, anyway.

Eventually, the Home Guard did get proper rifles. They were the old Lee-Enfield rifles used during the Great War. This was probably beneficial to a certain extent. Nearly half the guardsmen were Great War veterans and would’ve been familiar with the rifles. The only problem was, these rifles were now over twenty years old!

Americans and Canadians tried to help out their British friends. They collected and donated all their old rifles that they didn’t use anymore, and sent them to England. So at least the Home Guard had proper rifles now…even if they were outdated vintage ones!

While they might have had rifles (and might have also had ammunition), the guardsmen didn’t have much else. They had to improvise most of their weapons, such as grenades. They learned how to make rudimentary firebomb-grenades out of old bottles, flammable liquids and old rags. These homemade grenades were copied from the originals invented by the Finnish in 1939. They were called “Molotov Cocktails”, and were named for Vyacheslav Molotov, the Soviet foreign minister.

Grenades weren’t the only things that the guardsmen had to make for themselves. They even produced their own mortars! A particular model (called the Northover Projector) was essentially a rudimentary grenade-launcher/mortar that fired grenades into the air. Blackpowder (not used since the American Civil War of the 1860s!) was poured down the barrel, then a grenade was forced down the barrel after it.

The powder was ignited using a toy precussion-cap (those little things that you stick in children’s play-guns that go ‘Bang!’) and was operated by a two-man crew. The Northover Projector was cheap, easy to use…but hardly effective. Half the time it could misfire, or even worse, explode in the breech, blowing the thing apart and injuring the crew.

Although the Northover Projector was manufactured commercially, many people made their own, homemade versions. It was often called the “Drainpipe Mortar” because of its long, slim shape.

The Duties of the Guard

Because Britain was never invaded, it’s widely believed that the Home Guard didn’t do anything. This wasn’t exactly true.

The Guard was employed in various activities throughout the war. They patrolled harbours and ports, they guarded ammo-dumps and important military installations and storage facilities, and they manned anti-aircraft cannons during the Blitz. Over a thousand guardsmen died in combat during the war.

The guardsmen also arrested and rounded up downed German pilots, they helped the wounded, cleared rubble from air-raids and rescued the trapped who were stuck in their collapsed houses. In 1941, the Guard was even allowed to guard Buckingham Palace! Churchill proudly declared that if London was invaded, the Home Guard would fight a bloody war with the Germans for every single city block.

The End of the Home Guard

The Home Guard was stood down in late 1944, when it was pretty certain that the Germans wouldn’t be doing any fighting against the British on their home soil anytime soon. It was formally disbanded on the 31st of December, 1945.

Dad’s Army

70th Anniversary of the Home Guard

Home-Guard.org.uk

Quotes of Conflict – The Backgrounds of Famous Wartime Quotes

 

How many wars can you name? Two? Four? Eight? A dozen? How many battles could you name? Twelve? Twenty-four? Fifty?

The history of mankind is full of conflict. Conflict marked by dozens of wars and hundreds of battles. So many battles and wars, in fact, that many of these great plays of armour, and the acts that made them up, have passed into history and out of memory, and common knowledge. Most people only know of the Big Three: World War One. World War Two. Vietnam.

However, a select few of these hundreds of battles have survived in the public consciousness to this day; remembered not because they were famous and not because they were big. Not even, perhaps, because they were even won…or lost; but rather because someone said something that has remained with us ever since. This article looks at some of the most famous battle-quotes in history, and the battles and wars that made them famous.

Let us begin with one of the most famous…

“Damn the torpedoes! Full speed ahead!”

Who said It? Admiral David Farragut.
When was it Said? August, 1864.
Where was it Said? Battle of Mobile Bay, Mobile, Alabama, C.S.A.
Conflict? American Civil War (1861-1865).

This is one of the most famous quotes in history, often paraphrased and used as a show of defiance, pluck and determination. But what happened?

It is August, 1864. The South is on the losing end of the American Civil War. The Union Navy and Army are charged with taking the Confederate port of Mobile Bay, near Mobile, Alabama. In an attempt to starve the South into submission, the Union forces are ordered to attack, occupy and render defenceless, all of the South’s seaports and harbours, to prevent shipments of supplies and reinforcements. Mobile Bay is the last of these ports still held by the Confederacy. It is heavily defended by soldiers, gunners, sea-mines and powerful shore-batteries of cannons facing the mouth of the harbour.

By this later stage in the war, the South was running low on almost everything. Manpower. Food. Metal. Weapons. Clothing. Medicine. Ships. Gunpowder. And luck.

The Northern forces outnumbered the South to such an extent that victory was almost certain even before the battle started. The North had eighteen warships, compared to the four that the South had. And the North had nearly five times more men than the South.

Enter Union Admiral David Farragut. It was his job to force the harbour. With his heavily-armed and heavily-armoured ships, including the newfangled, steam-powered, plate-armoured ‘Monitor’ ships, he had to break through the Southern shore-defences, neutralise the shore-batteries (or get out of their range) and render the Southern ships a negligable force.

On the day of the battle (5th August, 1864), Farragut sent his ships in. Ironclad monitors on the outside to provide protection and to deal with the shore batteries, and the wooden ships inside, to deal with the Confederate naval ships once they’d made it beyond the harbour’s mouth.

Once they’d passed the shore-batteries and were out of their range, one ship, the USS Tecumseh (as in William Tecumseh Sherman, of ‘March to the Sea’ fame) struck a sea-mine. The mine exploded and the ship sank in less than five minutes. At the time, these maritime explosives were called ‘torpedoes’. The power of the explosion and the speed with which the Tecumseh sank caused other Union captains to panic and want to retreat! When Farragut yelled to his junior officers and captains what the holdup was, they replied “Torpedoes!”. On the very cusp of a war-changing victory, Farragut wasn’t about to let a few mines get in his way.

Exactly what Farragut said isn’t recorded. He issued a variety of orders to the captains under his command, all with the same gist: To ignore the torpedoes, speed up and capture the Confederate navy by surprise. Over time, the quotes were all melded together to the now familiar cry: “Damn the torpedoes! Full speed ahead!”.

“Fire When Ready, Gridley!”

Who Said It? Admiral George Dewey.
When was it Said? 1st of May, 1898.
Where was it Said? Battle of Manila Bay, Manila Bay, The Philippines.
Conflict? Spanish-American War (April-August, 1898).

The Spanish-American War of 1898 was a short conflict that had been simmering for months, as America watched Spain and Cuba duke it out, as Cuba fought for independence from its Spanish masters. During this conflict, the American battleship, the USS Maine exploded and was sunk in Havana Harbour, Cuba. Although the likelihood that the Spanish were responsible for this was slim, it was one of the factors that pushed Spain and America to war.

The Battle of Manila Bay in the Spanish posessions in the Philippine islands, was one of the first major American victories in this short-lived war. It was also the first major action between the two countries after war was formally declared.

The point of the battle was to destroy the Spanish Pacific Fleet then at anchor in Manila Bay. When Dewey showed up with his captains and his ships, the situation was so perfect it was almost unbelievable.

The Spanish commanding officer, Admiral Montojo, had been given woefully outdated warships to patrol the Philippines and with which to defend the Bay. He also believed that the Bay had certain natural defences that meant that sailors unfamiliar with the area would not be able to attack it until morning, when there would be enough light to see the hazards lurking in the water. Comforted by this fact, Montojo took his time preparing for the coming of the American fleet.

The American fleet showed up on the 1st of May, 1898, just a few weeks after war had been declared. Unbeknown to Montojo, Admiral Dewey had been supplied with charts that told him how to navigate around the waters off of Manila Bay. And the U.S. Navy had more modern, more powerful warships. Instead of waiting for daybreak, Dewey decided to attack while it was still dark!

By the time Dewey reached the bay, it was about 5:15 in the morning. The Spanish shore-batteries that defended the Bay opened up with ranging-shots (shots fired to test the effective range of the gun, hence the name), and Spanish ships did the same. Dewey suddenly realised that the Spanish firepower was so outdated that they posed almost no threat at all! He ordered his ships to sail into formation and prepare for battle. The job was simple:

The ships would line up, bow-to-stern and sail in a zig-zag pattern, back and forth, turning at the end of each pass, a bit like that boring ‘Snake’ game you have on your old mobile-phone where you eat the seeds to make the snake grow longer. All the while, the American ships would be firing ceaselessly at the Spanish defences. With their faster, more powerful and better-equipped battleships, the Americans could shoot further and faster than the Spanish and were able to hit them well out of the range of the Spanish shore-batteries and cannons.

Once the ships had started in formation and began moving slowly towards the Spanish lines, Dewey told his second-in-command, Capt. Charles Vernon Gridley: “You may fire when ready, Gridley”.

And Gridley did. And the rest is history.

As the American ships drew closer and closer and their long-range guns became even more and more accurate with every passing tack, the Spanish defences were obliterated. The Spanish defences were being blown to pieces and even if they managed to engage the Americans, they knew that they were hopelessly outnumbered.

Gridley appeared to have taken Dewey’s order to ‘fire when ready’ exceedingly to heart. By 7:45am (a little over two hours after the battle started), Gridley had exhausted almost all of their ammunition. Dewey ordered a general retreat (he told his men that this was so that they could eat breakfast!).

The battle ended shortly after midday, when the Spanish ran up a white flag and lowered their colours, admitting total defeat. American losses? Seven wounded and two seriously injured. Number of deaths? One. From a heart-attack!

“Forward the Light Brigade!”

Who Said It? Alfred, Lord Tennyson.
When was it Said? 9th December, 1854.
Where was it Said? Tennyson’s famous poem about the Crimean War.
Conflict? Battle of Balaclava, the Crimea. Crimean War (1853-1856).

The most that the average person knows about the Crimean War is what they learned about in English class, studying poetry as a child, specifically, the poem written in 1854 by Alfred, Lord Tennyson titled ‘The Charge of the Light Brigade’. It is one of the most famous and iconic poems in the world. But what was the Charge of the Light Brigade? And what happened to it?

The Crimean War was fought between the Russian Empire on one side, and the French Empire, British Empire, Ottoman Empire and the Kingdom of Sardinia (part of modern Italy, today), on the other. It took place in the Crimean Peninsula, which sticks out off the coast of the Ukraine and is surrounded on three sides by the Black Sea (which is northeast of the Mediteranean Sea).

The Crimean War started when the Russian Empire began threatening the Ottoman Empire over control of the Holy Lands (the Crimea and Turkey being extremely close to the lands of Palestine, Persia and Arabia, the birthplaces of Islam, Christianity and Judaism). When Russia forced itself into Ottoman affairs, the French and British Empires came to the Ottoman defense to drive the Russians out of Ottoman territory. And so began the war.

The famous Charge of the Light Brigade took place during the Battle of Balaclava (25th October, 1854). So what happened?

The British, French and Ottomans were trying to take the city of Sevastopol, an important Russian fortress and naval port. To do this, they laid siege to the city. In an attempt to end or shorten the siege, the Russians attacked the siege-lines the north of the city of Balaclava. During the battle, the Ottomans were overrun and were forced to abandon their frontmost line of defence. They retreated to their second line, which was held by both British and Ottoman soldiers. The combined strength of both forces held the Russians at bay, but left the guns which the Ottomans had previously been manning in the hands of the Russians (the cannons being too heavy for the Ottomans to wheel away during their retreat).

A daring cavalry charge by the British sent the Russians into retreat. As they fell back, they decided to help themselves to the cannons that the Ottomans had abandoned earlier. Commander of the British forces, Lord Raglan, saw the Russians’ plans and sent a message to the commanding officer of the Light Brigade to stop the Russians from stealing the guns! Unfortunately for the other guy, Lord Lucan, Raglan’s orders were so ambiguous that they were impossible to understand! Don’t believe me? Here are the texts of the original orders:

1. “Cavalry to advance and take advantage of any opportunity to recover the Heights. They will be supported by infantry which have been ordered. Advance on two fronts“.

If you read this carefully, you’ll see what the problem is. You’re standing on an enormous battlefield in a huge valley with heights, ridges and hills all around you. There is no indication in the above order as to which direction the Light Brigade was expected to move, how far they were supposed to move and what amount of infantry was supposed to be providing them with backup! There’s no mention of compass directions or which of the ‘heights’ the cavalry is meant to try and capture. Remember that there are hills all around you. Lucan stayed where he was, twiddling his thumbs and waiting for clarification. A few minutes later, the second order from Lord Raglan showed up:

2. “Lord Raglan wishes the cavalry to advance rapidly to the front – follow the enemy and try to prevent the enemy carrying away the guns – Troop Horse Artillery may accompany – French cavalry is on your left.”

Again, this order did nothing but confuse Lucan and his officers. The Russian soldiers who were stealing the guns were on the southern heights (called the ‘Causeway Heights’), far removed from Lord Lucan’s line of sight. He simply couldn’t see them from his position in the valley. The only guns he could see were the Russian cannons that were lined up at the far end of the valley, just a few miles to the east, creating a corridor of death on three sides. He assumed that Lord Raglan meant those guns! Charging them with cavalry would be suicide, but Raglan had ordered him to attack the enemy (the Russians) with the guns!…So he did!

“‘…Forward, the Light Brigade!
Charge for the guns!’ he said:
Into the valley of Death
Rode the six hundred…”

The problem was that Lord Raglan, who was issuing these orders, was high on the hilltop. He could see the entire battlefield and he could see the cannons that the Russians had captured to the south, and were trying to make off with. Lord Lucan and his subordinate, Capt. Nolan, stuck in the valley between the heights where Raglan was stationed, and the northern and southern heights on either side, could not. To try and uncomplicate matters, Capt. Nolan went to Lord Raglan himself to ask what the orders were. He was told to attack the enemy with the guns! But then, in warfare, every enemy has guns…woops!

Confused as ever, Nolan headed back into the valley and relayed his lordship’s orders to the officer in charge, Lord Lucan. The following heated exchange took place:

Nolan: “Attack, sir!”
Lucan: “Attack WHAT? What guns, sir!?”
Nolan: “There, my lord, is your enemy! There are your guns!”

Nolan gestured wildly to the east to indicate the guns. What he should have done was pointed to the south where the Russians had captured the British cannons. What he had actually pointed at was the valley which the Russians had surrounded with cannons! Time was running out and Raglan obviously wanted the light cavalry to move quickly, so Lucan decided to act.

He passed the order to his second-in-command, Lord Cardigan. Cardigan and Nolan charged off into the valley, followed by 670 cavalry.

“…Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die:
Into the valley of Death
Rode the six hundred…”

The cavalry charge was a complete disaster. Outgunned on three sides, Cardigan and Nolan and all their horsemen were fighting a losing battle. Of roughly 670 men who went in, only about half managed to come out in one piece. Nolan was killed in the advancing charge, his body blown apart by cannonfire.

Cardigan survived the charge and lived to the respectable age of 70. He is remembered today from the fuzzy, knitted garment that bears his name…the cardigan! Another fuzzy, knitted garment came out of the Crimean War as well…the Balaclava, named for the fuzzy, full-face masks that the soldiers wore to keep them warm during the freezing Crimean winters. Every bankrobber in the world should thank the British for this ingenious invention.

“They couldn’t hit an elephant at this dist—-“

Who Said It? Major General John Sedgwick.
When was it Said? 9th of May, 1864.
Where was it Said? Battle of Spotsylvania Courthouse, Virginia, C.S.A.
Conflict? American Civil War (1861-1865).

The Battle of Spotsylvania (yes, such a place actually exists) Courthouse was a battle during the American Civil War. Union general, Ulysses S. Grant was trying to fight Confederate general Robert E. Lee in such a way that would give Grant the advantage (Lee having thusfar proved to be too hard a nut to crack).

During the battle, Confederate sharpshooters kept the Union troops hiding behind walls and down in their trenches. Maj. Gen. John Sedgwick couldn’t believe what a bunch of sissies his men were! He told them off for being cowards and hiding from a few stray bullets! He insisted that they stand up and fight and shoot back at the enemy like real men! To prove his point, Sedgwick stood up so that the top of his body was exposed to enemy fire. To try and inspire his men, he told them that “They couldn’t hit an elephant at this distance!”; ‘they’ being the Confederate soldiers.

Unfortunately for Sedgwick, he wasn’t an elephant. A couple of seconds after he started speaking, he was shot in the face by a sniper’s rife and fell to the ground…stone dead. Depending on the sources you read, Sedgwick didn’t even finish saying the word ‘distance’ before he was killed outright.

“Shoot straight, you bastards!”

Who Said It? Harry ‘Breaker’ Morant.
When was it Said? 27th of February, 1902.
Where was it Said? Pretoria, South African Republic (Transvaal Republic).
Conflict? Second Boer War (1899-1902).

Harry Harbord ‘Breaker’ Morant and his comrades, Peter Handcock and George Witton were three Australian soldiers who were arrested and court-martialed during the Second Boer War. After their commanding officer, Captain Hunt, was killed, the three soldiers killed a number of Boer P.O.Ws and a priest who was witness to these killings, in reprisal for their comrade’s death.

It was for these actions that the three men were court-martialed. For their crimes against the Boer prisoners, all three soldiers were sentenced to death by firing squad. Witton’s sentence was later changed to Imprisonment for Life (and later still, he received a pardon); Morant and Handcock, however, were both condemned to death.

On the morning of their execution, the men were led to the chairs on which they would be seated while they were executed. They sat down and were offered blindfolds. Both men refused. The executing soldiers raised their rifles, ready to fire. It was at this time that Morant said his famous last words:

“Shoot straight, you bastards! Don’t make a mess of it!”

The execution of Morant and Handcock remained controversial for decades. Witton, the one soldier who escaped execution, wrote a book in 1907 about the experience. He titled it “Scapegoats of the Empire”.

The effect of the execution on both Witton and Major James Francis Thomas (the lawyer sent to provide their defence) was significant. Thomas’s life collapsed after the failure of the court-martial and he died a broken man in November of 1942. Witton had died a few months earlier in August.

“Kiss me, Hardy”.

Who Said It? Admiral Lord Horatio Nelson.
When was it Said?  21st of October, 1805.
Where was it Said?  Battle of Trafalgar, H.M.S. Victory.
Conflict? The Napoleonic Wars (1803-1815).

Horatio Nelson’s victory at the Battle of Trafalgar is one of the most famous maritime battles in history. But the price of victory was steep. The admiral was struck by a sniper’s bullet while he stood on the quarterdeck of his flagship, the H.M.S. Victory. The bullet hit the admiral in the right shoulder, passing down through his body to lodge at the base of his spine. He was carried below to the ship’s surgeon, Dr. William Beatty.

Beatty, already busy amputating shattered arms and legs and extracting musket-balls and splinters from other injured sailors, took some time to come to Nelson’s aid. When he did, he determined that the admiral’s wound was inoperable. The musketball had lodged in such an inaccessible part of the admiral’s body that it would be impossible to remove it without almost certainly killing or permanently paralysing Nelson. Early 19th century surgery didn’t leave Dr. Beatty many options.

Knowing that he would in all likelihood, die before the end of the battle, Nelson allowed himself to be made comfortable in the corner of the surgeon’s quarters. His officers made constant reports to their ailing commander, feeding him news of the progress of the battle. Nelson was dying from blood-loss and internal bleeding. He watched Beatty working on other men, men that the doctor actually had a chance of saving. As Nelson lay on the floor, he instructed his officers: “Fan fan, rub rub, drink drink” as they fanned him and fed him lemonade and watered-down wine to keep him cool and hydrated. As Nelson became weaker and weaker, he told one of his officers, Sir Thomas Hardy, “Kiss me, Hardy”.

And Hardy did! Twice, in fact.

It’s widely believed that ‘Kiss me, Hardy’ were Nelson’s last words. In fact, his final words, as recorded by the ship’s chaplain, were “God and my country”. Nelson died at 4:30pm on the afternoon of the 21st of October, 1805.

Behind Closed Doors – Upstairs and Downstairs

 

There’s always a lot of costume dramas and historical TV shows on the air. The new series of “Upstairs, Downstairs”, the immensely popular “Downton Abbey” and of course, older series such as the original “Upstairs, Downstairs”, “Jeeves and Wooster” and “Lord Peter Wimsey”. Add to this movies such as “Gosford Park” and so-forth, and it seems that film and television producers can never get enough of the “good old days” of servants, bells, starched collars and telegrams delivered on silver trays.

The natural habitat of such shows always alternates between the English country manor-house and the terraced London townhouse, both locales with plenty of space to accomodate the goings-on both above and below stairs. But given that a lot of these shows take place in a time-period almost out of living memory, what were all the rooms that were central to this way of life? Of masters and servants? What were their functions? And why did you have so many rooms?

Here are some of the more well-known rooms that you might come across when watching a period costume drama set in a large house or an aflluent townhouse in the Victorian era or in the first half of the 20th Century. This posting will cover some of the more obscure rooms that you might find mentioned in movies, TV shows or old books. They’re are not presented in any specific order, so don’t try to find any! The more common (and obvious) rooms aren’t included.

The Drawing Room

No costume drama would be without its drawing room. It’s unthinkable! But what is a drawing room?

Despite the name, it is not a chamber meant for painting, writing, drawing or any other kind of artistic pursuit.

The drawing room comes from the word ‘Withdrawing’. In large, formal households, the drawing room is where people would withdraw to, after dinner or other substantial meal, for quiet conversation or relaxation. In most houses, the drawing room did double-duty as the general living-room for entertaining or receiving guests and visitors. On formal occasions, parties might be held in the drawing room.

The Morning Room

The morning room is the chamber in a house with multiple rooms, which was typically used during the early hours of the day (hence the name ‘Morning Room’). It was any reception-room built with the windows facing east, so as to make the most use of the morning sun. The room most commonly shown in the TV series ‘Upstairs Downstairs‘, is the morning room.

The Library

What a library is, is rather obvious. It’s where books are stored. In times past, books were significantly more expensive than they are today. Don’t forget that it was only until after the Industrial Revolution of the 1800s that books could be mass-produced by steam-powered printing and binding-presses. Prior to this, books were laboriously printed, cut and bound by hand, making them significantly more expensive than they are today. Any house with a significant collection of books would store them in their own room, the library, where they could be read in comfort and returned once reading was finished, to prevent them being lost. In some libraries, books were locked in glass-fronted bookcases to prevent damage and theft. The library might do double-duty as the study or office of the house because of easy access to reference materials and information. Particularly large libraries might come equipped with a specially-made set of library stairs.

Library stairs ranged from simple folding stepladders (that might or might not also double as stools), to long ladders on casters, affixed at the top to a rail that ran along the top of the bookcases, or they might literally be a set of movable stairs on caster-wheels:


A set of antique library stairs, with casters for moving them around the library and accessing high shelves

The Long Gallery

The gallery was the long passageway inside many large houses that date back to the medieval era. It would be the main corridor that would connect one or more wings of the house and was often brightly illuminated by large windows on one side (and possibly, on either end). Because Long Galleries could be rather boring if all they were, were connecting passages, some rich folks tried to dress them up a bit by hanging pictures on the walls. This gave us the modern “Art Gallery”.

The Larder

Ah, the larder! It’s where Mrs. Patmore and Mrs. Bridges put all their food. It’s the place where the kids in the Famous Five and the Secret Seven go to pinch all the choicest leftovers before going off on their adventures. It’s the magical room which kids (and if Jeeves and Wooster is to be believed, Tuppy Glossop) go to steal food from after midnight for a little nibble.

But what is a larder?

First off, a larder is not a pantry.

A pantry is a room or a large store-cupboard where bread and baked goods are stored. It’s cool and dry and free of vermin.

A larder takes this one step further. In essence, a larder is a cold-store. A specially-designed, specially-constructed room (or in some cases, building), which is made to be as cold as possible. Larders are built of stone to keep in the cold. Good circulation to keep out the heat. And with shelves and ceiling-beams with hooks to keep the food away from the vermin.

Before the days of effective, electrically-powered home-refrigerators, the larder was where you stored all your perishable foods such as dairy-products (milk, cream, cheese etc) and meat and poultry, such as sausages, meat, fish, steaks and any leftover food from dinner.

Although the residential icebox did exist at the same time, you have to consider that ice wasn’t accessible in every part of the world, all-year-round. Or even in every part of a particular country all year round. So homes without ice-based refrigeration (or for homes for which such refrigeration was impossible or too impractical and expensive), the larder was their fridge. Effective electric fridges of the kind we have today didn’t show up until the 1930s.

The Scullery

The Scullery is the domain of the scullery maid. Said maiden being the lowest-ranking of the female servants in a wealthy household. The scullery is the washroom. In larger houses, the scullery and laundry might be two different rooms (one for dishes, one for clothes and linen), but in smaller houses, the scullery did double-duty as the wash-up room for the silverware, glassware, China, kettles, pots and pans, and as the laundry for towels, bedsheets, clothes and undergarments.

The Butler’s Pantry

A ‘pantry’ is the room in which bread is stored. Originally, it was the domain of the ‘pantler’ or the servant in charge of bread (from the Latin ‘Pannus’; ‘Bread’). The butler’s pantry has nothing to do with bread. Or food.

The Butler’s Pantry was the domain of the butler. The head of the servants. In the pantry were stored such things as the family silverware and silver-cleaning implements and chemicals. Just understand, please, that the family ‘silver’ was a lot more than just knives and forks. Silverware could include ANYTHING made of silver. Candlesticks. Trays. Serving-trolleys. Tureens. Platters. Jugs. Cups. Saucers. Cake-servers. Cake-stands. Gravy-boats. ladles. Chocolate and coffee-pots. Milk-jugs. Cream jugs. A wealthy family might have a small fortune of silver stored away down in the servants’ quarters. And all of it had to be locked in the Butler’s Pantry, under the watchful eye of the Butler. Every single piece that went out had to be accounted for, and every single piece that went back had to be checked. If so much as a single teaspoon went missing, then the ENTIRE house would be searched for it. And the servants would be locked outside while the search happened!

So the pantry would house the silver-cupboard, the butler’s bedroom and private quarters, as well as important keys and important documents such as account-books, the silver-book and the wine-book, all of which had to be checked and updated regularly.

The Servants’ Hall

The servants’ hall is the main room for domestic servants in a wealthy household. You see it in ‘Upstairs, Downstairs’, in ‘Downton Abbey’, ‘Gosford Park’, and it’s mentioned in other TV shows such as ‘Jeeves and Wooster’. It must be a pretty important room. But what is it?

The servants’ hall is the break-room. It’s the room where servants would eat their meals and spend leisure-time. It’s the room where most of the work was carried out as well. In some houses, the servants’ hall was a separate chamber. In smaller houses, the kitchen might double as the servants’ hall.

The servants’ hall was the domain of the unfortunate Hallboy. The hallboy was the lowest-ranking male servant. He had the unenviable task s of doing all the heavy labour. Carrying coal. Firewood. Cleaning the servants’ hall and doing just as much housework as any of the female staff. Because he was the lowest of the low in the male servantry, the hallboy might not even have a bedroom. If he didn’t, he’d sleep in the hall as well!

The main panel of servants’ bells (which connected through wires and cables to the bell-pulls in the rooms upstairs), might be located in the servants’ hall or in the kitchen, where there would always be at least one person to keep an eye on the bells.

The Ballroom

The ballroom was the chamber reserved (in the largest of houses) for formal dance and parties (balls). In smaller houses, the drawing-room might double as the ballroom. Specially-built ballrooms came with their own dancefloors and musician’s galleries, where orchestras or bands could perform to project the music around the room, but keep out of the way of the party-guests.

The Parlour

The parlour is a reception-room in a house with multiple reception-rooms. Often, it was near the front of the house and was the room in which visitors would be shown into when they arrived. It comes from the French word ‘Parler‘ (‘to speak’). So it was quite literally the ‘speaking room’, or the room where you could engage in friendly discussions and conversations.

The function of the parlour changed a lot over time. These days, the parlour is a bit like the sitting-room or living-room in a modern house. In older times, when doctors still did housecalls, the parlour was also the room where funerals were held if there was a death in the household. This gave rise to the term ‘funeral parlour’.

The Nursery

The Nursery was the domain of the Nurse and her assistant (if she had one), the nursery-maid. The nursery was the room where young children and babies were looked after. In wealthy households, the lady of the house would hire a professional child-rearing nurse to take care of her newborn children if the mother couldn’t do it herself. For the sake of safety, the nurse and/or the nursery-maid would sleep in the nursery (or in a room next door) at nights to attend to the babies if they cried or woke up at odd hours.

The Gun Room

It’s pretty obvious what’s stored in here.

Found in large country manors where the masters of the house enjoyed hunting and hosting shooting-parties, the gun-room was the chamber which contained all the household’s firearms. It was a large, secure, vault-like room which was kept locked for obvious safety reasons. Firearms like shotguns, rifles, and their ammunition, accessories and cleaning-materials were stored here. As firearms could be extremely expensive, the gun-room was kept under lock and key to prevent theft just as much as to prevent injuries and death.

The Billiard Room

Billiards, Pool, Snooker and 9-Ball were all very popular during the Victorian era. And in a number of great country houses, an essential chamber for the gentlemen to retire to after dinner was the billiard-room. These rooms were of necessity, large chambers with plenty of space to move around the billiard-table. Apart from the table, the room would have the snooker scoreboard, a list of rules, a rack for the cues and cabinets and cases for the balls, the racks, the blocks of cue-chalk and possibly, spaces and cabinets for storing and playing other games. Traditionally, billiard-balls were made of elephant-tusk ivory. This made billiards almost exclusively, a game for the wealthy. It wasn’t until the invention of the first plastics in the early 1900s that billiards and pool started being played by the middle and lower classes.

The Smokehouse

Depending on the people who lived there and location of the estate, a large manor house might have a smokehouse on the premises. In larger estates where the land might be used for farming and the rearing of cattle and sheep, the smokehouse was essential.

In the days before modern food preservation, the smokehouse was where joints of meat, poultry, fish and even cheese, would be smoked. The food to be smoked would be placed in a special container or rack (called a smoker) and a fire would be lit underneath it. The smoke rising from the fire would dry, flavour and preserve the food above it. Different woods are used to provide different tastes to the food.

Once smoked, dried and possibly, salted, food might be stored in the smokehouse for a couple of weeks or even up to a year or more, before it would have to be either eaten, or thrown out.