Flipping Antiques – Buying Low to Sell High


It’s been twelve months now, since I started selling antiques online as a hobby and a small sideline to make myself some money. The image of the struggling artist or writer might look very romantic, but it’s not very practical! Fed up with not having any serious money coming in, I embarked on this as a way to keep myself busy and make something on the side at the same time. So how did I get into this? And how can you? And what sort of things do you need to be mindful of when buying things to resell, and selling antiques and vintage things online?

I’ve already done an article on the actual process of listing and selling items, so if you’re looking for that, click here.

if not, then read on, and hopefully you’ll pick up something from the insights gained after a year of flogging antiques and bric-a-brac.

Buying Low to Sell High

Buying low to sell high (or higher, at least) is how people have been making money on almost anything and everything since the dawn of civilisation. So, where and how do you, as a picker and flipper of antiques, get in on all this?

In order to be at least moderately successful in flipping antiques, you need to be able to spot a bargain. You need to be aware of what prices items usually sell for, and how much you can reasonably expect to make from something. You also need to be able to gauge what sorts of things people will be chasing after online, and how to market your things towards this group of people.

Visit places like flea-markets, garage sales, charity or thrift-shops, and similar places to find good bargains. Search online, visit antiques shops and websites like eBay, to gauge prices and see how much something might generally sell for, and the prices that people ask for their items. This will give you a good idea of what prices are considered bargains, what you might reasonably expect to sell something for, and what prices might be considered a ripoff!

What & What Not to Buy

When trying to flip antiques and make money on them, it’s extremely important to know what, and what not to buy. This will be determined by factors such as price, rarity, condition, size, age and various other things. You need to be aware of what things are selling, and what aren’t, why, and why not.

It’s my experience that the successful sale of antiques works best if you confine yourself to three or four broad areas of interest, and that venturing out of these areas is done at your own risk! So, what are these areas?

When selling antiques, you should look for items which are usefulunusual or interesting, or cheap. Anything outside of these categories can be risky to sell, and you purchase these items for resale at your own risk!

So, what am I talking about? Let’s go through them in detail.

Selling Things Which are Useful

When selling antiques, it’s best to sell antiques which people are likely to find useful. It’s no use selling something which a person can only stare at, and appreciate from afar, or from behind a glass panel. Some people might like stuff like this, and yes you can sell stuff like that, but the fact that you can’t use an item limits who you can sell it to. Most items are expensive enough without also having to pay for them to be serviced. This is one reason why things like antique pocket watches are often huge money-pits.

Antiques which are useful and which can be used on a regular basis are ones which are likely to sell, because people can see them, appreciate them, and also put them to good use. They’re not just cute decorative objects which do nothing but take up space and collect dust. Antique clocks, sewing machine, cigarette lighters, and various types of metalware generally fall into this category. Hard-wearing objects designed to look nice, but also take a significant daily beating.

Selling Things which are Unusual or Interesting

Along with antiques which are useful or functional, another broad area where antiques tend to sell well, are ones which are either unusual, odd or interesting. People like owning something which is out-of-the-ordinary, whacky, weird, or otherwise unusual. These thhings draw attention, and are also great conversation-pieces! That said, these things will only sell if people can appreciate their unusual nature, or if the seller (you!) knows what the item is, what its purpose is, and how it works.

Weird and unusual things either sell pretty quickly, because people love how whacky they are, or they can sit for ages, because nobody knows what they are! It’s sort of a double-edged sword, so approach this area of buying for resale with caution. You might end up with loads of extremely interesting things which nobody is interested in!

Selling Things which are Cheap!

This one is tricky. What is ‘cheap’ from one person to another is highly relative, and one person’s ‘cheap’ could be another person’s ‘expensive’. Buying things cheaply to sell them at a healthy profit requires a lot of knowledge and experience, though. You need to be able to spot a bargain and know that something being sold for a low price could, if you play your cards right, be flipped for a high price. It’s not always easy, but it can be done. Just don’t get too greedy!

For example, if you buy something for $5.00 and you know it’s probably worth $150, then instead of trying to reach that high, try $100, or $70, or $50 instead. This will allow the potential buyer to get something which might be extremely expensive, at a relatively cheap price, while also giving you a healthy profit. It’s when you get too greedy and try to milk more out of the cow than it can give, that you’re liable to get stuck with merchandise you can’t move!

To Restore or Not to Restore?

Whether or not you restore something before you sell it can be a highly contentious issue in the antiques world. My gut-feeling is that one should follow what the experts do, and most antiques flippers and dealers who do this for more than a hobby tend to restore their antiques (if necessary or possible), prior to selling them.

“Doesn’t restoring antiques destroy their value?” I hear you ask.

Well yeah. If you have no idea what you’re doing, and you completely screw it up! But, if you’re a competent, careful and sympathetic restorer, then an antique in working condition can fetch a lot of money! And people will be more willing to pay a higher price on an antique if they know that it not only works, but that it’s been carefully cleaned, repaired, tested and put back together. Some people like buying things knowing that all the hard work has already been done for them. I flipped a $20 antique fire extinguisher for $100 all because I cleaned it and got it working again! Such things can happen if you know how to spot a bargain, and have a knack for fixing things.

Selling ‘Luxury’ Stuff

One of the hardest things to try and sell are ‘luxury antiques’. The really fancy, pretty, rare, fragile, old or expensive stuff. The problem with that is that most people don’t have buckets of money to blow on things that they don’t need. And if they are going to spend their money on antiques, then it has to be something useful, really weird or interesting, or it has to be pretty damn cheap!

There’s nothing wrong in getting a few luxury things like silver or jewelry or clocks or watches and trying to sell them, but don’t expect them to move fast, or make large profits – not unless you’re really lucky! Silver can move slowly depending on what it is, and watches and clocks can take ages! If you have a background or make a hobby of watch or clock-repair, you might be able to make a decent profit by fixing the timepiece yourself and selling it on, but if you have to pay someone else to do it – there goes all your profit!

Things like watches…even pocket watches…are extremely common. They might sell fast, but most people will not want to spend a great deal of money on them. One reason is the cost of repairs. The other reason is that because watches are so common, unless there’s something really special about them (a gold or silver case, a rare model, a really high-end piece, etc), there really isn’t the scarcity to make them worth more. Even in the antiques world, supply-and-demand still rules supreme!

Turning a Profit in Antiques

Flipping antiques for a profit can be a fun, if tricky game to play, for a number of reasons.

When you do decide to flip antiques for a profit, the important thing to consider is how you’re going to do it, what you can reasonably expect in return. As I’ve already explained, antiques can be hard to flip, for any number of reasons. Because of this, you need to be very careful in what you buy, how much you buy it for, and what you try and sell it for. Unless the price you’re asking is pretty darn cheap, more often than not, you won’t get what you actually asked for, since people will want to haggle and bargain with you.

If you’re comfortable with this (and it’s better if you are) then you can get a line of happy, satisfied, repeat customers. Being overly rigid on your prices and negotiations can and will make your stock sit…for weeks, and months, and sometimes even years!

Bought this three-piece silver condiment set at a local auction house and flipped it for five times what I paid for it. If you're a savvy flipper, you can make pretty decent profits on your antiques.
Bought this three-piece silver condiment set at a local auction house and flipped it for five times what I paid for it. If you’re a savvy flipper, you can make pretty decent profits on your antiques.

Because of this, you should never waste the opportunity to make a good sale, but at the same time, don’t pester people to buy your stuff. Let them make their own decisions. The only time this might be a problem, however, is when you have more than one person interested in a particular item.

It can be extremely frustrating watching two people umm-and-aah over something, trying to make up their mind, and then trying to figure out who has first-dibs on it! In instances like this, I really encourage people to either make up their mind really fast, ask me to officially reserve it for them while they make up their mind, or pass. Because leaving things hanging can lead to ugly confrontations later on. Unless it’s on eBay or something, a lot of online sales are done on the basis of a gentleman’s agreement, and if the other party doesn’t like acting like one…then you’ve got real problems!

Pricing Your Antiques

One of the harder things to do with selling antiques is knowing what to price them at. This can be pretty tricky since the values and the prices on antiques vary WILDLY depending on age, condition, manufacture, condition, geographical location, condition, materials, condition, rarity and of course…condition!

The longer you shop around, visit antiques shops, bargain, haggle and stick your nose in all over the place, the sooner you’ll learn what a bargain is, and what a reasonable price might be to charge for your antiques. Part of it is up to you, and part of it is determined by what other people sell their items for. The more you look around, the more you’ll learn what a reasonable price is.

That’s not to say that what other people sell their antiques for is the correct price, and that’s not to say that what you sell your antiques for is correct, either. It’s a matter of each seller’s personal circumstances, and the nature of the item being sold.

The most important thing with flipping your antiques is making sure you can do it for a decent percentage of the purchase-price. Anywhere from 125-200% thereof. Anything less really isn’t worth it, unless the item is really hard to sell, or if you’ve had it for ages and just want to have a fire-sale to get rid of everything!

Making a Sale

I’ve already written a post about selling antiques online in general, so I won’t cover too much here in my last segment, except to say that when you do make a sale online, you should always try and tempt the buyer with whatever other stock you have for sale. Don’t just close the deal, take the money and run – take a few minutes to find out what your customer likes, what he or she collects, what they find interesting – and tempt them with similar items that you might have. For all you know, you might land two or three sales for the price of one, move loads of stock and get fat profits in the process!

Knowing how to sell and how to tempt and interest your customers is part of being able to move your things fast and make healthy profits on the things you buy. Being stubborn and pernickity will cause sales to stall, for people to lose interest, and for you to start losing money! So be patient when you have to be, and fast-thinking when you need to be, to find good bargains and make good sales.




Sterling Silver Geo. V pillbox by Deakin & Francis (1913).


I picked this up today after attending an appointment across town this morning. I had some time to kill and I found it in one of the local charity shops.

It’s an adorable little sterling silver pillbox, made in Birmingham in 1913 (or at least it was assayed in Birmingham in 1913). I think it’s just adorable. The bordering on the lid, the engraving, and the curly ‘R.W’ initials on the lid just scream the Edwardian era – a truly stylish and glamorous period of history!

Dent-Removal on Antique Silverware

The box was rather badly damaged when I got it – there were two or three nasty dings on the edge of the lid, and one very sharp dent on the side, near the bottom of the box. Fortunately, careful pressing, rolling and a modicum of hammering with a suitably-shaped, suitably-sized object managed to beat out the worst of the dents, so that it looks almost as good as new! There are a couple of microscopic dimples still there, but the end result I achieved is good enough!

Removing dents on antique silverware can be challenging, and for a number of reasons. How easily a dent can be removed generally depends on where the dent is located, and how bad it is. Generally speaking, dents on edges, corners and bases are tricky – and anything which is overly angled or curved is a real pickle!

The good news about removing dents on antique silver is that silver is a soft metal.

The bad news about removing dents on antique silver is that silver is a soft metal.

That means that dents – provided you can get a tool in there and work on it properly – are usually easy to remove, pop out and smooth over. The problem is that because silver is a soft metal, deforming it, over-pressing, cracking, or even ripping a hole right through the silver, is a real danger! Especially if the silver used is of an especially thin gauge!

I’ve removed the dents on a fair few pieces of antique silver in my time, and I’ve generally been successful. I’ve never destroyed a piece, but removing dents is something which is relative. Unless you’re a professional, it’s unlikely that you’ll ever remove the dent entirely – but it is possible to greatly lessen the impression of a dent, almost to the point of invisibility, if you work on it with patience and care.

Generally speaking, to remove dents in silver it’s not actually necessary to ‘hammer out’ a dent. More often than not, the generally accepted procedure is to ‘press out’ a dent – put something hard and of the right size and shape on the underside of the dent – and using ordinary pressure – simply smooth and force the dent out by hand. In most cases, this is sufficient to pop or smooth the dent out and improve the appearance of a piece of silverware significantly.

Only apply actual hammering or whacking if simple pressing really really doesn’t work! At any rate, the end result is extremely pleasing, and it’s the perfect little place to put my peppermints in!

Who Made It?

The maker’s mark of (D)&(F) (Deakin & Francis) was clear and easily read. Apparently they were quite prolific silversmiths, and appear to have made a wide range of items, dating back to the 1780s. According to this website, they’re still around today! All I can say is, they seem to make beautiful things, if this little pillbox is anything to go by!

Using Your Antiques – Having Fun with History


One question I do occasionally get asked from people, when I tell them that my main hobby is collecting antiques, is:


Or more precisely:

“What do you do with them!?” 

Well, to answer that publicly: It depends!

A discussion held with the mother of a longtime friend prompted this posting, and it made me think about my antiques, and what I do, or don’t do with them. And I decided it’d be interesting to examine the issue and share the answer in detail. So, what is the answer?

In short, the answer is that unless the antique is particularly fragile, small or breakable, the overwhelming chances are that I’ll probably just…use it! – as an everyday object, which I admit, I do with a lot of my antiques on a regular basis.

At least 2-3 times a week, I shave with my antique razor, from the 1880s…

I sharpen the blade, I strop the edge, and I put cold steel to my neck at least every 2-3 days, and I don’t just go through the motions – it really does shave!

On top of that, I write with my antique and vintage fountain pens from the 1910s and 1920s, 30s and 40s when I work or when I have to write out drafts or take notes. When I go to the theatre or out to some big, public event, I bring along a pair of opera glasses or binoculars from my collection of antiques, dating back as far as the 1880s…

If I’m going to see something particularly far away, then it might be my pocket telescope, from the 1890s…

If I need to tell the time, I keep a watch in my pocket, secured by a chain…

…this silver beauty is from 1925; and I have another gold-filled railroad chronometer from 1950 which I use every day.

Of course, antiques aren’t always the cute pretty things, they’re also the useful, serviceable things that we like to buy and use and decorate our homes and rooms with. Just last night, I smashed up some chili, ginger, garlic, salt, pepper and tomatoes in this antique Dutch brass mortar and pestle, while I was cooking dinner. Yes, it’s 200 years old, but these were made for regular pounding and grinding – my using it was never going to damage it if centuries of use haven’t done so already! And apart from anything else, using this instead of a food-processor is just so much more fun to do!!

That said, I don’t use all my antiques. Some are just too large, too small, too old or fragile to use on a daily, or even infrequent basis. These are ones which I collect mainly to enjoy, to photograph, to use for demonstrative purposes, or to protect and restore for future generations (what? That’s my excuse and I’m sticking to it!!).

Is it Safe to use Antiques?

Provided that you use your antiques for the purposes for which they were intended, and don’t overtax their abilities, for the most part, it’s perfectly safe to use your antiques. of course, some things hold up better than others. Antique metalware, silverware, mechanical antiques, brassware, furniture, musical or scientific instruments, tools, domestic appliances and pieces of specialist equipment tend to hold up better, as they were intended to be used on a regular basis, anyway. So long as you store them properly, look after them, maintain them and clean them, they’ll be in no danger of damage.

Other pieces should be treated with more care. Books, newspapers, textiles and fabrics, glassware and porcelain can still be used, but are best kept for occasional use, or for special occasions. That’s not to say that you can’t use it, but it’s best to keep it for instances where you really want to show them off.

Items made of natural products (ivory, bone, leather, etc) can decay or deteriorate over time. Depending on what these items are, they should be used sparingly, or not at all. Antique leather, especially, is prone to drying out, cracking, ripping and tearing. Unless you moisturize it regularly with appropriate leather-treatment ointments and creams, it can deteriorate very quickly from improper or heavy use.

So, is it safe to use and enjoy the antiques that you have in your collection? Or do you have to keep them locked up in safes, behind glass, and in protective steel cages?

In general – yes, it is safe, provided the item isn’t obviously fragile or prone to damage, and provided you use it in a manner, and for the purpose with which it was intended.

That said, it is entirely up to you whether you use something or not. There’s no law saying that you have to use your antiques, and there’s no rule that says you can’t use them; just keep in mind that future generations will likely look upon you with scorn or smirking, if you used something recklessly and smashed it, or kept something perfectly useful up on some sort of pedestal out of a misplaced fear of damaging it!

Photographic Memories: A Pictorial Tour of Family History


When a person dies, the only things you have left to remember them by are their personal possessions, your own recollections, and any images which were taken of them during their lifetime.

All too often, photographs are unmarked, undated, unnamed, and un-remembered. Soon, you’ll find yourself looking through boxes, books and albums full of old snapshots, with the faces of the nameless and forgotten dead, staring ominously at you for all of eternity.

This set of circumstances might not bother some people, but for others, it can be downright depressing, and frustrating, to not know who someone in a photograph is, especially if the picture is rare, or has some sort of family significance.

I recently had such a case, which I’ve decided to write about. It concerns the following photograph:

Click on the photograph for a higher-resolution image!

The hard copy of this photograph is in the custody of my Uncle John – one of the several thousand Uncle Johns in the world – all of whom, I’m sure, are equally as interesting, fun and fascinating as my own. But this is my Uncle John, and in my own roundabout way, I want to thank him for preserving this snapshot so wonderfully, and for rescuing it and keeping it safe for the family.

This photograph sat in my Uncle John’s home for years. I don’t know how long he’s had it, and I never recall seeing it in the many times I’ve visited his home for Christmas, and other events, but apparently that’s where it’s been for many, many years. Indeed, it was only because of a family reunion several months ago that I learned of the photograph’s existence!

So, what is the significance of it? 

Well, to put it simply, it is a photographic record of my grandmother’s family, and its very existence means a lot to me, purely because we don’t have very many photographs of my grandparents or their extended family which have survived. Because of that, getting to see this photo has helped me learn more about my own family history, and has helped to clear up more than a couple of things which I could never understand about my family tree!

Such is the power of old family snapshots. They bring back memories, and they are an indelible record of what has, or hasn’t happened during the lifetimes of relations who have since passed on.

So, who are the people in the photograph?

The photograph depicts my grandmother, her sisters, her brother, their mother – my great-grandmother – as well as spouses and in-laws. Grandma, her sisters and brother are No. 2, 4, 6 (grandma!), and 7 in the photograph, from left to right, with great-grandma seated out the front. The others are my great-uncle’s two wives (yes, such things happened in Malaya back then), and another sister-in-law (far left). There is yet another sister in the family, which isn’t included in the photograph.

Apart from my grandmother, and my Great-Aunt Annie (3rd in the photograph), I’ve never met anybody in this photograph. Most either lived too far away, or were already dead (such as Great Uncle Jackie in the middle, and Great Grandma out the front, who died in the 1950s, and in 1976, respectively).

How Old is the Photograph? 

As best as we can determine, the photograph dates to ca. 1954/5, at which time, my grandmother (born 1914), would be around 40 years old. She was the oldest of four sisters and one brother, and Uncle Jackie was the youngest.

What are they Wearing?

The clothing represented in the photograph is a mix of styles. My great-aunt on the far right, my grandmother’s sister-in-law, on the far left, and my great-grandmother (front and center) are wearing a traditional Straits-Chinese/Peranakan outfit called Sarong Kebaya. Sarong is the wraparound skirt, Kebaya is the close-fitting, light-material blouse buttoned over the top. This is capped off with traditional, hand-beaded Peranakan slippers.

My grandmother’s and great-grandmother’s family were ‘peranakan’, also called ‘Straits Chinese’, Ethnic Chinese who lived in Malaya, Singapore and Indonesia. Today, the Peranakan are a small subset of the Chinese diaspora, and are only found in Malaya, Singapore, Indonesia, and after World War Two, further afield in other countries.

By contrast with my great-grandmother and her daughter, my Great-Uncle Jackie, and one of his wives are wearing more Western-style clothing – A suit and bowtie, and a blouse and skirt.

Great-Aunt Annie (third-left) and grandma (second-right) are wearing a type of dress called a Cheongsam, a rather formal-type Chinese dress, popularised in Shanghai, in the Roaring Twenties! You’ll notice that both dresses are made of the same material. Grandmother was a dressmaker, and most likely, made both dresses for them!

If you look REALLY closely, you’ll notice that my great-aunt on the far-right, and my great-grandmother, are not only dressed in traditional ‘Nyonya’ outfits, but are also wearing traditional Peranakan jewelry! My great-aunt is wearing a Nyonya silver belt (to hold her sarong up), and my great-grandmother is wearing what’s called a ‘kerongsang’, a set of (usually three) brooches, used to hold the kebaya together.

This is my grandmother’s nickel-silver Peranakan belt, of the same style, one of two such belts which have survived in our family, and which I treasure above almost anything else! These belts are extremely rare today. They were all hand-made, and each one was a one-off artisan piece, produced by a Peranakan silversmith or jeweler. Many of them are family heirlooms.

Concluding Remarks

Learning about the family history behind this photograph meant a lot of picking the brains of my collective aunts and uncles, and it wasn’t easy, since no one person knew the entire background of everybody in the photograph! Finding out who everyone was, who their children were, who they were married to, birth-dates, death-dates, descendants and so-on, involved interrogating every relation I could find! (Thanks to Uncle John, Uncle Henry, Aunty Lily, and dad for filling in SO MANY BLANK SPACES!!!)

Regrettably, the collective knowledge of the family didn’t go back very far, only one or two generations at most. Nevertheless, I intend to record it all!! Once we lose this information, we’ll never get it back, and I don’t intend to lose any of it, if I can help it! There’s no Graveyard Google or anything to consult, so I hope to get everything written up properly soon. Eventually, I intend to create little information-cards to stick into the back of the fresh, printed copies of the photograph, and keep them there as a record of family history, such as it is.

Repairing My Victorian Telescope – A Lesson in Persistence…and patience!


“It’s broken. I can’t get it to work…”

I hear this a lot in flea-markets, antiques fairs, and antiques shops. Or something like it. “It jams”, “It’s very stiff”, “It won’t turn”, “It rattles”, “This thing won’t stay still”, “It doesn’t move like it’s supposed to, see?”

Because of this, a lot of antiques are sold as being ‘broken’, or in ‘original condition’, which is a euphemistic way of saying: “It’s stuffed and I can’t be arsed fixing it because I don’t know how!”

Both online and in real life, I’ve heard loads of people howl and bitch and whine and cry about heathens like myself, who go around cleaning, restoring and breathing new life into an object, erroneously claiming that doing so ‘destroys the originality’ of a piece and therefore ‘makes it worthless’!

That said, restoring antiques is the only way that they ever survive. Repairing them, cleaning them, and overhauling them is how we ensure that they’ll exist in a working state, well into the future, and that they won’t be damaged beyond repair by someone who didn’t know any better, because they tried to force something to work that can’t, for any number of reasons.

Such was the case with the massive, brass telescope I bought for my birthday. When I got my hands on it, although it was cosmetically in great condition, its actual operation left MUCH to be desired. The lenses were filthy, the draw-tubes were clogged with so much grime they wouldn’t even open properly, and the threads on one of the coupling-rings were worn down, meaning that they wouldn’t screw in properly…and if something doesn’t screw, then it doesn’t hold, which means the whole thing can fall apart at a moment’s notice!

Not fun!

Disassembling the Telescope

Having decided that the telescope was something with which I stood a reasonable amount of success in restoring, I haggled down the price and bought it.

The first step was to clean the lenses. As far as restoring this telescope went, that was the easy part!

To clean the lenses properly, the telescope has to be pulled apart. There’s simply no other way to do it. The objective lens housing at the front of the barrel has to be screwed off, and entirely disassembled. The relay lenses in the middle of the draw-tubes has to be removed and entirely disassembled, and the eyepiece lens also has to be removed and disassembled.

Pulling apart my telescope. From left to right is one of the brass collars, the objective lens and its housing, the eyepiece shutter, the eyepiece lens, the two relay-lenses and their housing, and one of the draw-tubes.

Although all the components of the telescope look like they screw in nice and neat and tight and flush, the reality is that an impossible amount of dust and grit does manage to find its way inside the telescope, through the microscopic gaps between the draw-tubes. Over the course of several decades, this dust and grit builds up to intolerable levels, and it eventually dries and crusts over, and even though it’s barely a milimeter thick, it’s enough to jam the telescope – and any attempts to operate it will likely cause irreparable damage. All this accumulated grit also makes it impossible to focus the telescope, or see anything through the lenses, hence the absolute necessity for cleaning.

The achromatic (two-part) objective lens in its housing. It is actually possible to unscrew the lens-frame entirely, and for the glass lenses to drop out of their frame by removing the retaining ring. This allows for really good cleaning and dust-removal…Just don’t cut your fingers on the edge of the glass!

Unscrewing the lenses can be really easy, or it can be really hard. Fortunately for me, most of my restorations of this kind have been pretty easy – a firm grip and the right sort of pressure will unscrew  most lenses with minimal problems. Just make sure that you wash out the threads (both sets of threads!) with oil, before you screw the components back together – because…y’know…dust, which causes threads to jam. Yes, it even gets in there!

Once the majority of the grime was removed from the lenses, and I was able to see that the telescope would be capable of functionality once it was working, I moved onto the next step: Cleaning.

Cleaning the Telescope

Cleaning this telescope was a real lesson in patience. Oh God, was it ever a lesson in patience!

As I said before, massive amounts of dust and grit get inside the telescope, through the joints between the draw-tubes. This causes a buildup of friction between the sliding parts, and this causes jamming. If you get a bit too enthusiastic trying to open the telescope tor viewing, it results in dents, warping, jamming, and if you’re really energetic – complete destruction of the connecting-rings between the draw-tubes… not fun.

The two relay-lenses and the tube they screw into.

To clean out 150 years’ worth of grime, I used WD-40, sewing machine oil, and enough tissues to fill a bathtub! Cleaning out loads of grime came down to spraying or dripping oil liberally over the draw-tubes, and snapping them shut, twisting them around, and opening and closing them hundreds and thousands of times, to flush out all the gunk, grime and grit trapped inside. This had to be done countless times to loosen up and wash out all the crud trapped within. It wasn’t pleasant!

“Why can’t you just put oil on it, lubricate it and leave it like that?” I might hear you ask.

Well…You could! You could just coat it in oil, and that would make the telescope easier to open and close…but it would also make it impossible to hold from how greasy it is! It would also turn your hands black from the grime. Oiling the telescope doesn’t remove the problem, it only masks it, and once the oil dries up, you’re left right back where you’re started…and probably even worse! Because oil attracts dust!

Eyepiece lens and the shutter that screws over the top to prevent dust and damage.

Nope! The only way was persistence, flushing, oil, lubrication, and just working the oil through the telescope, over and over again, to loosen up and wash out as much crud as possible. And this was a process which took a week of almost nonstop, daily cleaning…hey, it is 150 years’ worth of gunk, after all. It was never going to be done in a hurry!

Repairing the Telescope

While I cleaned the telescope, I became acutely aware of another one of its flaws. It wasn’t just grimy and dusty and jammed with filth, it was also broken! The thread which screwed the largest coupling-ring into the barrel, and connected the draw-tubes to the front of the telescope was completely worn down. Or at least partially so.

No amount of tightening and screwing and cleaning would induce the thread to bite, and hold the telescope together. All it took was one good, firm pull (which was necessary because of how stiff everything was!) to completely pull the telescope in half!

Taping the threads to stop them coming apart.

After extensive cleaning, I fixed this problem using ordinary, white masking tape. Once around the threads, and pressing it in with my fingers, and then screwing the components back together fixed the problem. The tape built up the layer of thickness which was necessary for the threads to grip and bite, and now all the components screw in and out, and hold, as they should!

Polishing the Brass

The final step in cleaning the telescope, after cleaning and tightening the lenses, washing out loads of grit and grime with loads of oil and WD-40, and taping up the threads to make them grip properly, was the polishing of the brass!

Before Polishing

From what I’ve seen on a lot of antiques websites, polishing up brass telescopes is an accepted and acceptable practice. And since I like polishing brass anyway, who am I to argue with the experts? Out came the Brasso, and I started polishing away furiously! It took a whole day to do it, but I did get it done in the end.

After polishing!

Polishing the brass does a number of things: One, it makes the telescope look SO much nicer!…Two, it makes it look much more cleaner, and three, it removes even MORE of the grime that was on the draw-tubes, which means that it will operate even better!

One thing about brass is that it never stays ultra-shiny for long. It only takes a small amount of handling for brass to start tarnishing again (which is why polishing brass was such a preoccupation back in the Victorian era, when this telescope was made), but this property suits me just fine, since it gives the telescope a clean, but aged look, all at the same time. This way, it doesn’t look entirely brand-new, and it doesn’t look like I dug it out of the ground this morning.

All up, a very satisfying little birthday project for myself 🙂